Kenneth Kreitner
Biographic Data
| ID | 196974 |
|---|---|
| NAME | Kenneth Kreitner |
| GIVEN NAMES | Kenneth |
| FAMILY NAME | Kreitner |
| SIGNATURE | KREITNER K |
| AFFILIATIONS | University of Memphis |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Spain Discovers the Mass
Spain was a latecomer to the cyclic Mass, which began to develop there in the 1490s or late 1480s. A number of different strands in this process – free single movements, mix-and-match Masses, ferial Masses, imports, three-voice Masses, Missae sine nomine and the six cycles of Francisco de Peñalosa – can usefully be separated and laid at least tentatively onto a chronological framework on the basis of manuscript date and composer biography. The su…
The Rosary Cantoral
The Rosary Cantoral is a large (103 vellum folios, each about 38 inches tall and 24 inches wide), very richly illuminated chant manuscript acquired by the Beinecke Library at Yale University in 1989. Its provenance is mysterious and has been confounded further by alterations to its original structure, the presence of a number of more or less similar leaves scattered in libraries and private collections around the world, and a number of conflictin…
Ave festiva ferculis and Josquin's Spanish Reputation
Tarazona 2/3, a cathedral manuscript preserving mostly the music of Peñalosa and his Spanish contemporaries, contains one motet, with the text ‘Ave festiva ferculis’, attributed to ‘Jusquin’. It is a strange piece of music, clearly not the work of Josquin des Prez, but also very unusual within the manuscript, and its misattribution suggests that Josquin's actual music was not a familiar icon in Spain c .1530. This impression is supported by the s…
Ornaments in the Middle Ages and Renaissance
Ornaments
Performing practice
Instrumentation and orchestration in the Middle Ages and Renaissance
Instrumentation and orchestration
Performance practice
The Wind Ensemble and Its Repertoire
La música en la Real Capilla de Madrid
Discoursing Sweet Music
Discoursing Sweet Music
Journal Article Discoursing Sweet Music: Town Bands and Community Life in Turn-of-the-Century Pennsylvania. By Kenneth Kreitner. (Urbana: University of Illinois Press, 1990. xvi + 205 pp. $22.50.) Get access Jay Gitlin Jay Gitlin Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1386, https://doi.org/10.2307/2078347 Published: 01 March 1991
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Discoursing Sweet Music
Journal Article Discoursing Sweet Music: Town Bands and Community Life in Turn-of-the-Century Pennsylvania. By Kenneth Kreitner. (Urbana: University of Illinois Press, 1990. xvi + 205 pp. $22.50.) Get access Jay Gitlin Jay Gitlin Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1386, https://doi.org/10.2307/2078347 Published: 01 March 1991
Discoursing Sweet Music
La música en la Real Capilla de Madrid
The Wind Ensemble and Its Repertoire
Ornaments in the Middle Ages and Renaissance
Ornaments
Performing practice
Instrumentation and orchestration in the Middle Ages and Renaissance
Instrumentation and orchestration
Performance practice
Ave festiva ferculis and Josquin's Spanish Reputation
Tarazona 2/3, a cathedral manuscript preserving mostly the music of Peñalosa and his Spanish contemporaries, contains one motet, with the text ‘Ave festiva ferculis’, attributed to ‘Jusquin’. It is a strange piece of music, clearly not the work of Josquin des Prez, but also very unusual within the manuscript, and its misattribution suggests that Josquin's actual music was not a familiar icon in Spain c .1530. This impression is supported by the s…
The Rosary Cantoral
The Rosary Cantoral is a large (103 vellum folios, each about 38 inches tall and 24 inches wide), very richly illuminated chant manuscript acquired by the Beinecke Library at Yale University in 1989. Its provenance is mysterious and has been confounded further by alterations to its original structure, the presence of a number of more or less similar leaves scattered in libraries and private collections around the world, and a number of conflictin…
Spain Discovers the Mass
Spain was a latecomer to the cyclic Mass, which began to develop there in the 1490s or late 1480s. A number of different strands in this process – free single movements, mix-and-match Masses, ferial Masses, imports, three-voice Masses, Missae sine nomine and the six cycles of Francisco de Peñalosa – can usefully be separated and laid at least tentatively onto a chronological framework on the basis of manuscript date and composer biography. The su…
Art (7 works) · History (4 works) · Early Modern Spanish Literature (3 works) · Humanities (3 works) · Art history (2 works) · Computer Science (2 works) · Geography (2 works) · Historical Studies of Medieval Iberia (2 works) · Instrumentation (computer programming) (2 works) · Libraries, Manuscripts, and Books (2 works)