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Kenneth Kreitner

Biographic Data

ID196974
NAMEKenneth Kreitner
GIVEN NAMESKenneth
FAMILY NAMEKreitner
SIGNATUREKREITNER K
AFFILIATIONSUniversity of Memphis
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS0
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2014
H-INDEX0
  • Spain Discovers the Mass

    Open Access•Kenneth Kreitner•ARTICLE•Journal of the Royal Musical…•2014

    Spain was a latecomer to the cyclic Mass, which began to develop there in the 1490s or late 1480s. A number of different strands in this process – free single movements, mix-and-match Masses, ferial Masses, imports, three-voice Masses, Missae sine nomine and the six cycles of Francisco de Peñalosa – can usefully be separated and laid at least tentatively onto a chronological framework on the basis of manuscript date and composer biography. The su…

  • The Rosary Cantoral

    Kenneth Kreitner•ARTICLE•Performance Practice Review•2009

    The Rosary Cantoral is a large (103 vellum folios, each about 38 inches tall and 24 inches wide), very richly illuminated chant manuscript acquired by the Beinecke Library at Yale University in 1989. Its provenance is mysterious and has been confounded further by alterations to its original structure, the presence of a number of more or less similar leaves scattered in libraries and private collections around the world, and a number of conflictin…

  • Ave festiva ferculis and Josquin's Spanish Reputation

    Open Access•Kenneth Kreitner•ARTICLE•Journal of the Royal Musical…•2003•References: 4

    Tarazona 2/3, a cathedral manuscript preserving mostly the music of Peñalosa and his Spanish contemporaries, contains one motet, with the text ‘Ave festiva ferculis’, attributed to ‘Jusquin’. It is a strange piece of music, clearly not the work of Josquin des Prez, but also very unusual within the manuscript, and its misattribution suggests that Josquin's actual music was not a familiar icon in Spain c .1530. This impression is supported by the s…

  • Ornaments in the Middle Ages and Renaissance

    Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • Ornaments

    Kenneth Kreitner, Louis Jambou et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Performing practice

    Howard Mayer Brown, David Hiley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Instrumentation and orchestration in the Middle Ages and Renaissance

    Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • Instrumentation and orchestration

    Kenneth Kreitner, Mary Térey-Smith et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Performance practice

    Howard Mayer Brown, Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • The Wind Ensemble and Its Repertoire

    Kenneth Kreitner, Frank J Cipolla et al.•ARTICLE•American Music•1996

  • La música en la Real Capilla de Madrid

    Kenneth Kreitner•ARTICLE•Musicology Australia•1995

  • Discoursing Sweet Music

    Emma S Rocco, Kenneth Kreitner•ARTICLE•Ethnomusicology•1993

  • Discoursing Sweet Music

    Jay Gitlin, Kenneth Kreitner•ARTICLE•Journal of American History•1991

    Journal Article Discoursing Sweet Music: Town Bands and Community Life in Turn-of-the-Century Pennsylvania. By Kenneth Kreitner. (Urbana: University of Illinois Press, 1990. xvi + 205 pp. $22.50.) Get access Jay Gitlin Jay Gitlin Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1386, https://doi.org/10.2307/2078347 Published: 01 March 1991

No prominent works on this page.

  • Discoursing Sweet Music

    Jay Gitlin, Kenneth Kreitner•ARTICLE•Journal of American History•1991

    Journal Article Discoursing Sweet Music: Town Bands and Community Life in Turn-of-the-Century Pennsylvania. By Kenneth Kreitner. (Urbana: University of Illinois Press, 1990. xvi + 205 pp. $22.50.) Get access Jay Gitlin Jay Gitlin Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1386, https://doi.org/10.2307/2078347 Published: 01 March 1991

  • Discoursing Sweet Music

    Emma S Rocco, Kenneth Kreitner•ARTICLE•Ethnomusicology•1993

  • La música en la Real Capilla de Madrid

    Kenneth Kreitner•ARTICLE•Musicology Australia•1995

  • The Wind Ensemble and Its Repertoire

    Kenneth Kreitner, Frank J Cipolla et al.•ARTICLE•American Music•1996

  • Ornaments in the Middle Ages and Renaissance

    Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • Ornaments

    Kenneth Kreitner, Louis Jambou et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Performing practice

    Howard Mayer Brown, David Hiley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Instrumentation and orchestration in the Middle Ages and Renaissance

    Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • Instrumentation and orchestration

    Kenneth Kreitner, Mary Térey-Smith et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Performance practice

    Howard Mayer Brown, Kenneth Kreitner•CHAPTER•The new Grove dictionary of music…•2001

  • Ave festiva ferculis and Josquin's Spanish Reputation

    Open Access•Kenneth Kreitner•ARTICLE•Journal of the Royal Musical…•2003•References: 4

    Tarazona 2/3, a cathedral manuscript preserving mostly the music of Peñalosa and his Spanish contemporaries, contains one motet, with the text ‘Ave festiva ferculis’, attributed to ‘Jusquin’. It is a strange piece of music, clearly not the work of Josquin des Prez, but also very unusual within the manuscript, and its misattribution suggests that Josquin's actual music was not a familiar icon in Spain c .1530. This impression is supported by the s…

  • The Rosary Cantoral

    Kenneth Kreitner•ARTICLE•Performance Practice Review•2009

    The Rosary Cantoral is a large (103 vellum folios, each about 38 inches tall and 24 inches wide), very richly illuminated chant manuscript acquired by the Beinecke Library at Yale University in 1989. Its provenance is mysterious and has been confounded further by alterations to its original structure, the presence of a number of more or less similar leaves scattered in libraries and private collections around the world, and a number of conflictin…

  • Spain Discovers the Mass

    Open Access•Kenneth Kreitner•ARTICLE•Journal of the Royal Musical…•2014

    Spain was a latecomer to the cyclic Mass, which began to develop there in the 1490s or late 1480s. A number of different strands in this process – free single movements, mix-and-match Masses, ferial Masses, imports, three-voice Masses, Missae sine nomine and the six cycles of Francisco de Peñalosa – can usefully be separated and laid at least tentatively onto a chronological framework on the basis of manuscript date and composer biography. The su…

Art (7 works) · History (4 works) · Early Modern Spanish Literature (3 works) · Humanities (3 works) · Art history (2 works) · Computer Science (2 works) · Geography (2 works) · Historical Studies of Medieval Iberia (2 works) · Instrumentation (computer programming) (2 works) · Libraries, Manuscripts, and Books (2 works)

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