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Spain Discovers the Mass

Bibliographic Data

ID7867002
AuthorsKenneth Kreitner (corresponding author)
Year2014
Volume139
Issue2
Pages261-302
Publication date2014-01-01
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Musical Association (JOURNAL)
Journal identifiersISSN: 0269-0403 • E-ISSN: 1471-6933
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1080/02690403.2014.944783
OpenAlexW2082467297
LanguageEN
Citations received2

Spain was a latecomer to the cyclic Mass, which began to develop there in the 1490s or late 1480s. A number of different strands in this process – free single movements, mix-and-match Masses, ferial Masses, imports, three-voice Masses, Missae sine nomine and the six cycles of Francisco de Peñalosa – can usefully be separated and laid at least tentatively onto a chronological framework on the basis of manuscript date and composer biography. The surviving evidence seems to show a tradition that arose with particular energy in the decade or so after 1500 and reached maturity within a single generation

Art · Biography · Geometry · Literature · Political science · Sine · Early Modern Spanish Literature · Hispanic-African Historical Relations · Historical Studies of Medieval Iberia · History · Law · Mathematics

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    María Elena Cuenca-Rodríguez, Cory Mckay•Journal of New Music Research•2021

Citations per year0.4
Citation span2021 - 2024 (4)
Highly citedNo

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