Irene Hilden
Biographic Data
| ID | 2015014 |
|---|---|
| NAME | Irene Hilden |
| GIVEN NAMES | Irene |
| FAMILY NAME | Hilden |
| SIGNATURE | HILDEN I |
| AFFILIATIONS | Humboldt-Universität zu Berlin |
| ORCID | 0000-0002-0553-2175 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Museum participation as labor
Set in the tradition of museum ethnography, this article looks at museum participation through the lens of labor. Based primarily on interview material, it analyzes the lengthy—and laborious—participatory process behind the creation of “Berlin Global,” an exhibition at the Humboldt Forum in Berlin, Germany. The authors explore three aspects of participation related to labor, as identified in their research: the different types of knowledge and ex…
The Museum as a Choir
The contemporary museum has two contradictory agendas. It is supposed to be a place of dialogue, debate, and even conflict - and it is called upon not to shy away from positioning itself in relation to contemporary discussions, which implies engaging in an activist museum practice and advancing social justice. The current article contributes to the debates on this apparent paradox from an audience studies perspective. Adopting Berlin Global, an e…
The Museum as a Choir
The contemporary museum has two contradictory agendas. It is supposed to be a place of dialogue, debate, and even conflict - and it is called upon not to shy away from positioning itself in relation to contemporary discussions, which implies engaging in an activist museum practice and advancing social justice. The current article contributes to the debates on this apparent paradox from an audience studies perspective. Adopting Berlin Global, an e…
The Museum as a Choir
The contemporary museum has two contradictory agendas. It is supposed to be a place of dialogue, debate, and even conflict - and it is called upon not to shy away from positioning itself in relation to contemporary discussions, which implies engaging in an activist museum practice and advancing social justice. The current article contributes to the debates on this apparent paradox from an audience studies perspective. Adopting Berlin Global, an e…
Museum participation as labor
Set in the tradition of museum ethnography, this article looks at museum participation through the lens of labor. Based primarily on interview material, it analyzes the lengthy—and laborious—participatory process behind the creation of “Berlin Global,” an exhibition at the Humboldt Forum in Berlin, Germany. The authors explore three aspects of participation related to labor, as identified in their research: the different types of knowledge and ex…
Art (2 works) · Computer Science (2 works) · Exhibition (2 works) · Museums and Cultural Heritage (2 works) · Visual arts (2 works) · Anthropology (1 work) · Art history (1 work) · Choir (1 work) · Citizen journalism (1 work) · Cultural Heritage Management and Preservation (1 work)