The Museum as a Choir
Visitor Reactions to the Multivocality at the Humboldt Forum's Berlin Global Exhibition
Bibliographic Data
| ID | 4743161 |
|---|---|
| Authors | Andrei Zavadski (0000-0002-8988-8805, Humboldt-Universität zu Berlin, corresponding author), Irene Hilden (0000-0002-0553-2175, Humboldt-Universität zu Berlin) |
| Year | 2023 |
| Volume | 21 |
| Issue | 3 |
| Pages | 57-77 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Museum and Society (JOURNAL) |
| Journal identifiers | ISSN: 1479-8360 • E-ISSN: 1479-8360 |
| Publisher | University of Leicester (PUBLISHER • GB) |
| DOI | 10.29311/mas.v21i3.4080 |
| OpenAlex | W4391312913 |
| Language | EN |
| Citations received | 3 |
| References cited | 10 |
The contemporary museum has two contradictory agendas. It is supposed to be a place of dialogue, debate, and even conflict - and it is called upon not to shy away from positioning itself in relation to contemporary discussions, which implies engaging in an activist museum practice and advancing social justice. The current article contributes to the debates on this apparent paradox from an audience studies perspective. Adopting Berlin Global, an exhibition in the newly opened Humboldt Forum in Berlin, Germany, as a case study, it describes the exhibition's embeddedness in the human rights framework as a choir-like, polyphonic multivocality, seen as a type of multiperspectivity in which a diversity of voices 'sing' in unison. Employing ethnography as the methodological approach, the authors analyse visitor reactions to the exhibition's multiperspectivity and positioning. They demonstrate that some visitors perceive Berlin Global as highly political and even ideological. This leads the authors to join the arguments in favour of 'agonistic interventions' that not only potentiate a better balance of multivocality with positioning and thus offer a solution to the aforementioned paradox, but also, they contend, increase the chance of engaging those who would otherwise reject the exhibition
Art · Art history · Choir · Exhibition · Visitor pattern · Visual arts · Computer Science · Memory, Trauma, and Commemoration · Museums and Cultural Heritage · Participatory Visual Research Methods
Museums, Prejudice and the Reframing of Difference
Agonistic Memory and the Legacy of 20th Century Wars in Europe
The balancing act. Museums as spaces for democratic debate
What Remains
The ignorant art museum
The birth of the museum
Curating good participants? Audiences, democracy and authority in the contemporary museum
Uses of Oral History in Museums
Cosmopolitanizing Colonial Memories in Germany
| Citations per year | 1.5 |
|---|---|
| Citation span | 2024 - 2025 (2) |
| Highly cited | No |