Irina Sirotkina

Biographic Data

ID202212
NAMEIrina Sirotkina
GIVEN NAMESIrina
FAMILY NAMESirotkina
SIGNATURESIROTKINA I
AFFILIATIONSDurham University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS17
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2026
H-INDEX2

  • Event report

    Open AccessIrina Sirotkina, Ирина Сироткина et al.ARTICLEStudies in Theatre and Performance2026

  • Movement Culture as an Epistemic Object

    Irina Sirotkina, Ирина СироткинаARTICLEEtnograficheskoe obozrenie2018

  • Desire vs Biopower

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLESociology of power2017

    The article deals with the dance revolution of the twentieth century - the emergence of "new dance” in which desire is produced, and not simply represented. Contemporary dance places the emphasis on spontaneity, the autonomous functioning of the body, and improvisation. There are at least two basic conceptions of desire in philosophy: the first is mimetic desire of the other (longing for a recognition from the other) and bodily desire (which corr…

  • Dance- plyaska in Russia of the Silver Age

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEDance Research2010

    The present paper focuses on the semantic and cultural meaning of plyaska as a distinct and influential phenomenon of the Silver Age. In particular, the cult of dance-plyaska was responsible for both the welcome accorded to Isadora Duncan in Russia and the proliferation of groups, studios and theatres of free dance in Russia in the first decades of the twentieth century. The article will trace the rise and fall of the utopia of plyaska into the e…

  • The Ubiquitous Reflex and Its Critics in Post‐Revolutionary Russia

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEBerichte zur Wissenschaftsgeschicht…2009Cited by: 2References: 6

    Der allgegenwärtige Reflex und seine Kritiker im Post‐Revolutionären Russland. Im letzten Jahrhundert war der Reflex mehr als ein wissenschaftlicher Begriff: er war ein kulturelles Idiom, das mit verschiedenen Zielsetzungen genutzt werden konnte – politisch, wissenschaftlich und künstlerisch. In dem Aufsatz entwickle ich die These, dass der Reflex im Russland der 1920er Jahre zu einer allgegenwärtigen Idee und einem geläufigen Wort wurde, zu eine…

  • Diagnosing Literary Genius

    Svitlana Kobets, Irina Sirotkina et al.ARTICLEThe Slavic and East European…2003

    Contents: Preface On Transliteration and Spelling Introduction 1 Gogol, Moralists, and Nineteenth-Century Psychiatry 2 Dostoevsky: From Epilepsy to Progeneration 3 Tolstoy and the Beginning of Psychotherapy in Russia 4 Decadents, Revolutionaries, and the Nation's Mental Health 5 The Institute of Genius: Psychiatry in the Early Soviet Years Notes Bibliography Index

  • Existe-t-il une nature humaine? La psychologie historique, objective, comparative

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEJournal of the History of the…2002

  • Naissance d'une science humaine

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEJournal of the History of the…2001Cited by: 15References: 1

  • The concept of creative illness in the works of N. N. Bazhenov

    Open AccessIrina Sirotkina, Ирина Сироткина et al.ARTICLEHistory of Psychiatry1998

  • States of mind

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEJournal of the History of the…1998

  • No asylum

    Open AccessIrina Sirotkina, Ирина СироткинаARTICLEJournal of the History of the…1998