Dance- plyaska in Russia of the Silver Age
Bibliographic Data
| ID | 20458400 |
|---|---|
| Authors | Irina Sirotkina, Ирина Сироткина (0000-0002-6090-7005, corresponding author) |
| Year | 2010 |
| Volume | 28 |
| Issue | 2 |
| Pages | 135-152 |
| Publication date | 2010-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research (JOURNAL) |
| Journal identifiers | ISSN: 0264-2875 • E-ISSN: 1750-0095 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/drs.2010.0101 |
| OpenAlex | W2061710642 |
| Language | EN |
| Citations received | 1 |
| References cited | 18 |
The present paper focuses on the semantic and cultural meaning of plyaska as a distinct and influential phenomenon of the Silver Age. In particular, the cult of dance-plyaska was responsible for both the welcome accorded to Isadora Duncan in Russia and the proliferation of groups, studios and theatres of free dance in Russia in the first decades of the twentieth century. The article will trace the rise and fall of the utopia of plyaska into the early Soviet years
Ancient history · Art · Art history · Cult · Dance · Literature · Phenomenon · Studio · Utopia · Visual arts · Diversity and Impact of Dance · History · Philosophy · Russian Literature and Bakhtin Studies · Theatre and Performance Studies
Nietzsche's Dancers
The Revolution of Moral Consciousness
Dancing to Utopia
Uniform Bodies
Touring Russia with Isadora
Russian Symbolism and Literary Tradition
A History of Russian Theatre
Russian Symbolism and Literary Tradition
Isadora Duncan, the Russian Years
Natasha's Dance
Thus Spoke Zarathustra
Stepping Left
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |