Jasamin Kashanipour
Biographic Data
| ID | 209622 |
|---|---|
| NAME | Jasamin Kashanipour |
| GIVEN NAMES | Jasamin |
| FAMILY NAME | Kashanipour |
| SIGNATURE | KASHANIPOUR J |
| AFFILIATIONS | University of Vienna |
| ORCID | 0000-0001-7221-4719 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Caught in the labyrinth of Kashan
Places, squares, natural landscapes, urban spaces are accepted as familiar when they are domesticated by cartography. The human psyche recoils at the prospect of being adrift in the unknown, prompting the ingenious creation of navigational aids such as maps, compasses, and GPS devices, which have been developed through specific historical contexts, including colonialism and modern warfare. In today's technologically advanced society, the fear of …
The Gradual Gaze
Nourished by my research's theoretical and ethnographic resources, this article explores the act of ethnographic drawing and its potential. I introduce a concept of gaze that I call "the gradual gaze." I suggest that drawing, which can transform the gaze into the gradual gaze, is a creative and heuristic way of attentive thinking and a process involving both unlearning and learning. The mimetic quality of drawing strengthens the fieldworker's eye…
The Third Figure
In this article, I discuss ethnographic drawing by differentiating between the practice of drawing people and that of drawing objects. Unlike drawing architecture, landscapes, or cities, drawing people is not only a practice of seeing but also of being seen. I follow the epistemological question of what happens at the core of drawing people ethnographically by considering the perspective of the person drawn. I introduce the notion of the "third f…
The Gradual Gaze
Nourished by my research's theoretical and ethnographic resources, this article explores the act of ethnographic drawing and its potential. I introduce a concept of gaze that I call "the gradual gaze." I suggest that drawing, which can transform the gaze into the gradual gaze, is a creative and heuristic way of attentive thinking and a process involving both unlearning and learning. The mimetic quality of drawing strengthens the fieldworker's eye…
The Third Figure
In this article, I discuss ethnographic drawing by differentiating between the practice of drawing people and that of drawing objects. Unlike drawing architecture, landscapes, or cities, drawing people is not only a practice of seeing but also of being seen. I follow the epistemological question of what happens at the core of drawing people ethnographically by considering the perspective of the person drawn. I introduce the notion of the "third f…
The Gradual Gaze
Nourished by my research's theoretical and ethnographic resources, this article explores the act of ethnographic drawing and its potential. I introduce a concept of gaze that I call "the gradual gaze." I suggest that drawing, which can transform the gaze into the gradual gaze, is a creative and heuristic way of attentive thinking and a process involving both unlearning and learning. The mimetic quality of drawing strengthens the fieldworker's eye…
The Third Figure
In this article, I discuss ethnographic drawing by differentiating between the practice of drawing people and that of drawing objects. Unlike drawing architecture, landscapes, or cities, drawing people is not only a practice of seeing but also of being seen. I follow the epistemological question of what happens at the core of drawing people ethnographically by considering the perspective of the person drawn. I introduce the notion of the "third f…
Caught in the labyrinth of Kashan
Places, squares, natural landscapes, urban spaces are accepted as familiar when they are domesticated by cartography. The human psyche recoils at the prospect of being adrift in the unknown, prompting the ingenious creation of navigational aids such as maps, compasses, and GPS devices, which have been developed through specific historical contexts, including colonialism and modern warfare. In today's technologically advanced society, the fear of …
Aesthetics (3 works) · Art (3 works) · Ethnography (3 works) · Philosophy (3 works) · Philosophy (3 works) · Sociology (3 works) · Anthropology (2 works) · Computer Science (2 works) · Epistemology (2 works) · Psychoanalysis (2 works)