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The Gradual Gaze

Drawing as a Practice of Ethnographic Description

Bibliographic Data

ID3032069
AuthorsJasamin Kashanipour (0000-0001-7221-4719, University of Vienna, corresponding author)
Year2021
Volume46
Issue1
Pages81-94
Publication date2021-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAnthropology & Humanism (JOURNAL)
Journal identifiersISSN: 1548-1409 • E-ISSN: 1559-9167
PublisherWiley (PUBLISHER • GB)
DOI10.1111/anhu.12325
OpenAlexW3163996781
LanguageEN
Citations received11
References cited23

Nourished by my research's theoretical and ethnographic resources, this article explores the act of ethnographic drawing and its potential. I introduce a concept of gaze that I call "the gradual gaze." I suggest that drawing, which can transform the gaze into the gradual gaze, is a creative and heuristic way of attentive thinking and a process involving both unlearning and learning. The mimetic quality of drawing strengthens the fieldworker's eye and entails a search for connectedness with the environment and people. The fieldworker's domain of experience offers insight for understanding the mimetic practice in drawing. However, this mimetic practice goes beyond duality, imitation, and representation. This article explores the triangular relationship between the fieldworker, the subject drawn, and the drawing

Aesthetics · Art · Epistemology · Ethnography · Gaze · Imitation · Political science · Psychoanalysis · Representation (politics · Sketch · Social connectedness · Sociology · Subject (documents · Visual arts · Anthropology · Art Education and Development · Computer Science · Philosophy · Psychology · Public Spaces through Art · Social Psychology · Visual Culture and Art Theory

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Unique citing works11
Citations per year2,2
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 11

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