Sofía Sánchez-Mompeán
Biographic Data
| ID | 2100592 |
|---|---|
| NAME | Sofía Sánchez-Mompeán |
| GIVEN NAMES | Sofía |
| FAMILY NAME | Sánchez-Mompeán |
| SIGNATURE | SÁNCHEZ-MOMPEÁN S |
| AFFILIATIONS | Universidad de Murcia |
| ORCID | 0000-0002-2676-3888 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
From street talk to screen: The usage and reception of youth language in Spanish dubbing
The melody of Spanish dubbed dialogue: How to sound natural within the context of dubbing
Dubbed speech has often been accused of sounding artificial and somewhat exaggerated, mainly because it features a type of melody that substantially differs from both spontaneous speech and domestic fictional dialogue. This paper explores the most significant vocal patterns that shape a recognisable melody in Castilian-Spanish dubbed dialogue in order to ascertain whether they really contribute to the artificiality of the target version or, on th…
Engaging English Audiences in the Dubbing Experience: A Matter of Quality or Habituation
Although dubbing has traditionally been associated with the so-called dubbing countries, the advent of digitalisation and streaming is nowadays encouraging the consumption of dubbed content across territories unaccustomed to watching foreign fiction with dubs, such as the Anglophone market. Despite the effort put into drawing in a wide and satisfied audience in these countries, an unfavourable response from some viewers has called into question t…
Netflix likes it dubbed: Taking on the challenge of dubbing into English
This article explores the strategies currently adopted by Netflix to make dubbing work in Anglophone territories and to improve the quality of dubbed content. Measures implemented are examined within the context of the Spanish TV series La Casa de Papel (2017-2021), which was redubbed into English by the platform in order to maintain high quality standards and minimise the so-called "dubby effect". The comparative analysis shows that, although se…
Prefabricated orality at tone level: Bringing dubbing intonation into the spotlight
The focus of this article is placed on dubbing intonation and more specifically on the tonal patterns that are regularly found in dubbed speech and characterise prefabricated orality at tone level. Research suggests that dubbed dialogue is governed by its own network of rules and differs greatly from spontaneous and naturally-occurring speech. The prefabricated nature of this type of dialogue has received attention from many scholars, but no atte…
Netflix likes it dubbed: Taking on the challenge of dubbing into English
This article explores the strategies currently adopted by Netflix to make dubbing work in Anglophone territories and to improve the quality of dubbed content. Measures implemented are examined within the context of the Spanish TV series La Casa de Papel (2017-2021), which was redubbed into English by the platform in order to maintain high quality standards and minimise the so-called "dubby effect". The comparative analysis shows that, although se…
Prefabricated orality at tone level: Bringing dubbing intonation into the spotlight
The focus of this article is placed on dubbing intonation and more specifically on the tonal patterns that are regularly found in dubbed speech and characterise prefabricated orality at tone level. Research suggests that dubbed dialogue is governed by its own network of rules and differs greatly from spontaneous and naturally-occurring speech. The prefabricated nature of this type of dialogue has received attention from many scholars, but no atte…
Prefabricated orality at tone level: Bringing dubbing intonation into the spotlight
The focus of this article is placed on dubbing intonation and more specifically on the tonal patterns that are regularly found in dubbed speech and characterise prefabricated orality at tone level. Research suggests that dubbed dialogue is governed by its own network of rules and differs greatly from spontaneous and naturally-occurring speech. The prefabricated nature of this type of dialogue has received attention from many scholars, but no atte…
Netflix likes it dubbed: Taking on the challenge of dubbing into English
This article explores the strategies currently adopted by Netflix to make dubbing work in Anglophone territories and to improve the quality of dubbed content. Measures implemented are examined within the context of the Spanish TV series La Casa de Papel (2017-2021), which was redubbed into English by the platform in order to maintain high quality standards and minimise the so-called "dubby effect". The comparative analysis shows that, although se…
The melody of Spanish dubbed dialogue: How to sound natural within the context of dubbing
Dubbed speech has often been accused of sounding artificial and somewhat exaggerated, mainly because it features a type of melody that substantially differs from both spontaneous speech and domestic fictional dialogue. This paper explores the most significant vocal patterns that shape a recognisable melody in Castilian-Spanish dubbed dialogue in order to ascertain whether they really contribute to the artificiality of the target version or, on th…
Engaging English Audiences in the Dubbing Experience: A Matter of Quality or Habituation
Although dubbing has traditionally been associated with the so-called dubbing countries, the advent of digitalisation and streaming is nowadays encouraging the consumption of dubbed content across territories unaccustomed to watching foreign fiction with dubs, such as the Anglophone market. Despite the effort put into drawing in a wide and satisfied audience in these countries, an unfavourable response from some viewers has called into question t…
From street talk to screen: The usage and reception of youth language in Spanish dubbing
Subtitles and Audiovisual Media (5 works) · Translation Studies and Practices (5 works) · Linguistics (4 works) · Psychology (4 works) · Advertising (3 works) · Business (3 works) · History (3 works) · Philosophy (3 works) · Sociology (3 works) · Art (2 works)