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Patrick Feaster

Biographic Data

ID2109773
NAMEPatrick Feaster
GIVEN NAMESPatrick
FAMILY NAMEFeaster
SIGNATUREFEASTER P
AFFILIATIONSIndiana University Bloomington
ORCID0000-0001-7448-2290
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Comment le phonographe a façonné l’imaginaire des discours de campagne

    Richard Bauman, Patrick Feaster•ARTICLE•Le Temps des médias•2026

    Lorsque Edison inventa le phonographe en 1877, ce qui l’impressionna le plus fut que son invention permettait de s’affranchir du caractère éphémère de la parole humaine : elle rendait la parole plus durable et reproductible. Mais alors, quels types de paroles étaient dignes d’être enregistrés ? On considéra que la préservation et la diffusion de l’art oratoire seraient un des usages appropriés et désirables du phonographe. L’enregistrement sonore…

  • Enigmatic Proofs

    Patrick Feaster•ARTICLE•Technology and Culture•2019•Cited by: 1

    The world's oldest sound recordings are the phonautograms created between 1853 and 1860 by Parisian typographer Édouard-Léon Scott de Martinville for visual study rather than playback. Fifty of these survive in four French archives and libraries, and the conditions of their selection, deposit, and subsequent treatment offer unique insight into pre-Edisonian perspectives on "sound archiving," to the extent we can use that term for the 1850s and 18…

  • “Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power

    Open Access•Patrick Feaster•ARTICLE•Journal of Popular Music Studies•2012

  • Enigmatic Proofs

    Patrick Feaster•ARTICLE•Technology and Culture•2019•Cited by: 1

    The world's oldest sound recordings are the phonautograms created between 1853 and 1860 by Parisian typographer Édouard-Léon Scott de Martinville for visual study rather than playback. Fifty of these survive in four French archives and libraries, and the conditions of their selection, deposit, and subsequent treatment offer unique insight into pre-Edisonian perspectives on "sound archiving," to the extent we can use that term for the 1850s and 18…

  • “Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power

    Open Access•Patrick Feaster•ARTICLE•Journal of Popular Music Studies•2012

  • Enigmatic Proofs

    Patrick Feaster•ARTICLE•Technology and Culture•2019•Cited by: 1

    The world's oldest sound recordings are the phonautograms created between 1853 and 1860 by Parisian typographer Édouard-Léon Scott de Martinville for visual study rather than playback. Fifty of these survive in four French archives and libraries, and the conditions of their selection, deposit, and subsequent treatment offer unique insight into pre-Edisonian perspectives on "sound archiving," to the extent we can use that term for the 1850s and 18…

  • Comment le phonographe a façonné l’imaginaire des discours de campagne

    Richard Bauman, Patrick Feaster•ARTICLE•Le Temps des médias•2026

    Lorsque Edison inventa le phonographe en 1877, ce qui l’impressionna le plus fut que son invention permettait de s’affranchir du caractère éphémère de la parole humaine : elle rendait la parole plus durable et reproductible. Mais alors, quels types de paroles étaient dignes d’être enregistrés ? On considéra que la préservation et la diffusion de l’art oratoire seraient un des usages appropriés et désirables du phonographe. L’enregistrement sonore…

Art (2 works) · Computer Science (2 works) · Acoustic Wave Phenomena Research (1 work) · Aesthetics (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Citation (1 work) · Contemporary art, education, critique (1 work) · Fidelity (1 work) · French Literature and Poetry (1 work)

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