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Enigmatic Proofs

The Archiving of Édouard-Léon Scott de Martinville's Phonautograms

Bibliographic Data

ID4811543
AuthorsPatrick Feaster (0000-0001-7448-2290, corresponding author)
Year2019
Volume60
Issue2S
PagesS14-S38
Publication date2019-01-01
Open AccessNo
TypeARTICLE
VenueTechnology and Culture (JOURNAL)
Journal identifiersISSN: 0040-165X • E-ISSN: 1097-3729
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tech.2019.0062
PMID31231071
OpenAlexW2951232893
LanguageEN
Citations received2
References cited8

The world's oldest sound recordings are the phonautograms created between 1853 and 1860 by Parisian typographer Édouard-Léon Scott de Martinville for visual study rather than playback. Fifty of these survive in four French archives and libraries, and the conditions of their selection, deposit, and subsequent treatment offer unique insight into pre-Edisonian perspectives on "sound archiving," to the extent we can use that term for the 1850s and 1860s. Scott framed individual records as documenting specific technical arrangements, use scenarios, and correspondences between sound and trace rather than sounds of intrinsic cultural or scientific interest. Although his phonautograms could be roughly assimilated to the same archival schemes of organization and storage as ordinary writings and drawings, the archival practices of the day left them difficult to access and interpret, practically speaking. They would not become widely recognized as "proofs" of Scott's accomplishments until the twenty-first century

Art · Linguistics · Mathematical proof · Selection (genetic algorithm) · Sound (geography) · Term (time) · TRACE (psycholinguistics) · Visual arts · Artificial Intelligence · Computer Science · French Literature and Poetry · Geology · History · Mathematics · Media, Communication, and Education · Philosophy · Visual Culture and Art Theory

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Citations per year0.18
Citation span2015 - 2024 (10)
Highly citedNo

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