Sarah Saddler
Biographic Data
| ID | 211269 |
|---|---|
| NAME | Sarah Saddler |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Saddler |
| SIGNATURE | SADDLER S |
| AFFILIATIONS | Ford Foundation |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Covid Relief and the Dynamics of State Care in South Africa’s Performance Economy
This article addresses South Africa’s Covid relief plan for its creative sector—the Presidential Employment Stimulus Plan (PESP)—as a locus for understanding the evolution of state arts sponsorship since the country’s first free elections in 1994. It begins with an historical discussion outlining the evolution of various philosophies of national arts sector caretaking. Particular attention is drawn to the philosophical shift from democratic aspir…
Training Corporate Bodies
In the global corporate world, dramatic techniques adapted from theatre for social change repertories provide tools for workplace empowerment. In corporate India, theatre training teaches employees to conform to implicit workplace codes of bodily conduct. Overlaps between managerial strategies and tactics of workshop participants reveal that corporate theatre engineers moments of human expression that exceed human capital formation
Think differently, get creative’
In India’s rapidly developing global cities, large multinational corporations implement theater-based corporate training programs that are designed to inspire employees to be more dynamic, aspirational, and self-motivated at work. Offering a performance ethnography of a week-long Theatre in Excellence program hosted in Bangalore (2014), I suggest that the theater-based corporate training process is a site where the emergent Indian neoliberal labo…
Politicizing Creative Economy
Reviewed by: Politicizing Creative Economy: Activism and a Hunger Called Theater by Dia Da Costa Sarah Saddler POLITICIZING CREATIVE ECONOMY: ACTIVISM AND A HUNGER CALLED THEATER. By Dia Da Costa. Dissident Feminisms series. Champaign: University of Illinois Press, 2017; pp. 304. The increasing use of creativity as a tool for socioeconomic development and urban regeneration demands greater academic attention to the role of the arts within global …
No prominent works on this page.
Think differently, get creative’
In India’s rapidly developing global cities, large multinational corporations implement theater-based corporate training programs that are designed to inspire employees to be more dynamic, aspirational, and self-motivated at work. Offering a performance ethnography of a week-long Theatre in Excellence program hosted in Bangalore (2014), I suggest that the theater-based corporate training process is a site where the emergent Indian neoliberal labo…
Politicizing Creative Economy
Reviewed by: Politicizing Creative Economy: Activism and a Hunger Called Theater by Dia Da Costa Sarah Saddler POLITICIZING CREATIVE ECONOMY: ACTIVISM AND A HUNGER CALLED THEATER. By Dia Da Costa. Dissident Feminisms series. Champaign: University of Illinois Press, 2017; pp. 304. The increasing use of creativity as a tool for socioeconomic development and urban regeneration demands greater academic attention to the role of the arts within global …
Training Corporate Bodies
In the global corporate world, dramatic techniques adapted from theatre for social change repertories provide tools for workplace empowerment. In corporate India, theatre training teaches employees to conform to implicit workplace codes of bodily conduct. Overlaps between managerial strategies and tactics of workshop participants reveal that corporate theatre engineers moments of human expression that exceed human capital formation
Covid Relief and the Dynamics of State Care in South Africa’s Performance Economy
This article addresses South Africa’s Covid relief plan for its creative sector—the Presidential Employment Stimulus Plan (PESP)—as a locus for understanding the evolution of state arts sponsorship since the country’s first free elections in 1994. It begins with an historical discussion outlining the evolution of various philosophies of national arts sector caretaking. Particular attention is drawn to the philosophical shift from democratic aspir…
Political science (4 works) · Law (3 works) · Sociology (3 works) · Business (2 works) · Cultural Industries and Urban Development (2 works) · Gender Studies (2 works) · Law (2 works) · Political economy (2 works) · Social science (2 works) · The arts (2 works)