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Svea Braeunert

Biographic Data

ID2177571
NAMESvea Braeunert
GIVEN NAMESSvea
FAMILY NAMEBraeunert
SIGNATUREBRAEUNERT S
AFFILIATIONSUniversity of Cincinnati
ORCID0009-0005-4933-2019
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX1
  • From evidence to testimony: How AI-generated images of refugees can make demands

    Open Access•Svea Braeunert•ARTICLE•Photographies•2026•References: 6

  • Notes on the Index: Matter as Image Testimony in the Art of the Anthropocene

    Svea Braeunert•ARTICLE•Angelaki•2023•References: 13

    Contemporary art is increasingly reverting to notions of the index to image the slow changes and catastrophic destructions caused by climate breakdown. Looking at Gideon Mendel’s photo series Watermarks (since 2011), Tomonari Nishikawa’s short film sound of a million insects, light of a thousand stars (2014), and Santiago Sierra’s installation 52 Canvases Exposed to Mexico City’s Air (2019), the essay analyzes three positions that employ analog t…

  • Introduction: Annemarie Schwarzenbach's Photographic Practice

    Svea Braeunert, Tanja Nusser•ARTICLE•Monatshefte•2021

    Although she was a prolific photographer, up until recently it was more often than not the woman in front of the camera rather than behind it that was the focus of attention. 1 Between 1933 and 1942, Schwarzenbach traveled extensively in Europe, Russia, the Middle East, India, the United States, and Africa, taking thousands of photos on her journeys, a selection of which she published in around 300 photo-reportages for Swiss Magazines, including …

  • Shifting the pattern: Lateral Thinking and Machine Vision

    Svea Braeunert•ARTICLE•The Senses and Society•2020•Cited by: 1•References: 2

    Pattern recognition and machine vision are two defining features of a drone’s sensor. The following essay sets out to examine these features by combining machinic and artistic frameworks for understanding patterns. Its goal is to counter the invisibility and inaccessibility of machine vision – especially where it concerns the military use of drones – by forming constellations around the drone that seem unlikely at first. They include modernist in…

  • Shifting the pattern: Lateral Thinking and Machine Vision

    Svea Braeunert•ARTICLE•The Senses and Society•2020•Cited by: 1•References: 2

    Pattern recognition and machine vision are two defining features of a drone’s sensor. The following essay sets out to examine these features by combining machinic and artistic frameworks for understanding patterns. Its goal is to counter the invisibility and inaccessibility of machine vision – especially where it concerns the military use of drones – by forming constellations around the drone that seem unlikely at first. They include modernist in…

  • Shifting the pattern: Lateral Thinking and Machine Vision

    Svea Braeunert•ARTICLE•The Senses and Society•2020•Cited by: 1•References: 2

    Pattern recognition and machine vision are two defining features of a drone’s sensor. The following essay sets out to examine these features by combining machinic and artistic frameworks for understanding patterns. Its goal is to counter the invisibility and inaccessibility of machine vision – especially where it concerns the military use of drones – by forming constellations around the drone that seem unlikely at first. They include modernist in…

  • Introduction: Annemarie Schwarzenbach's Photographic Practice

    Svea Braeunert, Tanja Nusser•ARTICLE•Monatshefte•2021

    Although she was a prolific photographer, up until recently it was more often than not the woman in front of the camera rather than behind it that was the focus of attention. 1 Between 1933 and 1942, Schwarzenbach traveled extensively in Europe, Russia, the Middle East, India, the United States, and Africa, taking thousands of photos on her journeys, a selection of which she published in around 300 photo-reportages for Swiss Magazines, including …

  • Notes on the Index: Matter as Image Testimony in the Art of the Anthropocene

    Svea Braeunert•ARTICLE•Angelaki•2023•References: 13

    Contemporary art is increasingly reverting to notions of the index to image the slow changes and catastrophic destructions caused by climate breakdown. Looking at Gideon Mendel’s photo series Watermarks (since 2011), Tomonari Nishikawa’s short film sound of a million insects, light of a thousand stars (2014), and Santiago Sierra’s installation 52 Canvases Exposed to Mexico City’s Air (2019), the essay analyzes three positions that employ analog t…

  • From evidence to testimony: How AI-generated images of refugees can make demands

    Open Access•Svea Braeunert•ARTICLE•Photographies•2026•References: 6

Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Geographies of human-animal interactions (2 works) · Action (physics (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Artificial Intelligence Applications (1 works) · Climate Change Communication and Perception (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae