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Notes on the Index

Matter as Image Testimony in the Art of the Anthropocene

Bibliographic Data

ID7629173
AuthorsSvea Braeunert (0009-0005-4933-2019, Film University Babelsberg Konrad WolfMarlene-Dietrich-Allee 1114482 PotsdamGermany)
Year2023
Volume28
Issue4
Pages103-116
Publication date2023-07-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAngelaki (JOURNAL)
Journal identifiersISSN: 0969-725X • E-ISSN: 1469-2899
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2023.2233809
OpenAlexW4385557615
LanguageEN
References cited13

Contemporary art is increasingly reverting to notions of the index to image the slow changes and catastrophic destructions caused by climate breakdown. Looking at Gideon Mendel’s photo series Watermarks (since 2011), Tomonari Nishikawa’s short film sound of a million insects, light of a thousand stars (2014), and Santiago Sierra’s installation 52 Canvases Exposed to Mexico City’s Air (2019), the essay analyzes three positions that employ analog techniques of direct exposure to the elements and to toxicity. They use the index to create artworks that function as collaborative testimonies of human and non-human witnessing work, prompting a re-reading of Rosalind Krauss’ two-part essay “Notes on the Index” (1977) for the present. Central to such a re-reading is the form the testimonies take on. I describe them as indexical abstractions, seeing in them images that are materially connected to the world yet expressing that involvement in non-mimetic ways. The works cite the idiom of abstract art not only to show that modernism has put the planet into distress but to also find a pictorial code operating beyond the confines of linear perspective. By doing so, they give expression to what Timothy Morton has called the hyperobject of climate change, creating pictures that combine image and imagination, thereby asking viewers to approach them – and the world they index – with care

Aesthetics · Art · Expression (computer science · Function (biology · Index (typography · Indexicality · Linguistics · Literature · Perspective (graphical · Reading (process · Visual arts · Climate Change Communication and Perception · Computer Science · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · History · Philosophy

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    Caren Kaplan•Aerial Aftermaths•2018

  • Nonhuman Photography

    Joanna Zylinska•Nonhuman Photography•2017

  • Material Witness

    Susan Schuppli•Material Witness•2020

  • Forensic Architecture

    Eyal Weizman•Forensic Architecture•2017

  • In the Wake

    Open Access•Christina Sharpe, Christina Elizabeth Sharpe•In the Wake•2016

  • Witnessing the Anthropocene

    Michael Richardson•Parallax•2020

  • Anthropocene

    Erle C Ellis•Anthropocene : a very short…•2018

  • Notes on the Index

    Rosalind Krau, Rosalind Krauss•October•1977

  • Notes on the Index

    Rosalind Krau, Rosalind Krauss•October•1977

  • "Stieglitz/"Equivalents

    Rosalind Krau, Rosalind Krauss•October•1979

Citation velocityhistorical
Highly citedNo

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