Adrienne L Burk
Biographic Data
| ID | 2184207 |
|---|---|
| NAME | Adrienne L Burk |
| GIVEN NAMES | Adrienne L |
| FAMILY NAME | Burk |
| SIGNATURE | BURK A L |
| AFFILIATIONS | Simon Fraser University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
In Sight, Out of View: A Tale of Three Monuments
Three monuments in Vancouver, British Columbia, located closely in time and geography and all concerning violence, were created not by one, but rather by three separate groups of advocates. Given that in each case the advocates were drawn from the socially marginalized, it would seem logical that the groups would have had to work together to accomplish something as complex as gaining access to public space with the permanence of monuments. But in…
Beneath and before: Continuums of Publicness in Public Art
Public monuments traditionally appear in high contrast to their landscapes, an effect that sets aesthetic, ideological and social distances. However, Manmale, counter-monuments, and counter-hegemonic monuments (eg the AIDS quilt, Rachael Whiteread's House, Melbourne's Another View Walking Trail, Tiananmen's Goddess of Democracy, or Maya Lin's Vietnam Memorial), challenge the norms of monuments in visuality, fixedness, and permanence, and suggest …
Private griefs, public places
Beneath and before: Continuums of Publicness in Public Art
Public monuments traditionally appear in high contrast to their landscapes, an effect that sets aesthetic, ideological and social distances. However, Manmale, counter-monuments, and counter-hegemonic monuments (eg the AIDS quilt, Rachael Whiteread's House, Melbourne's Another View Walking Trail, Tiananmen's Goddess of Democracy, or Maya Lin's Vietnam Memorial), challenge the norms of monuments in visuality, fixedness, and permanence, and suggest …
Private griefs, public places
In Sight, Out of View: A Tale of Three Monuments
Three monuments in Vancouver, British Columbia, located closely in time and geography and all concerning violence, were created not by one, but rather by three separate groups of advocates. Given that in each case the advocates were drawn from the socially marginalized, it would seem logical that the groups would have had to work together to accomplish something as complex as gaining access to public space with the permanence of monuments. But in…
Private griefs, public places
In Sight, Out of View: A Tale of Three Monuments
Three monuments in Vancouver, British Columbia, located closely in time and geography and all concerning violence, were created not by one, but rather by three separate groups of advocates. Given that in each case the advocates were drawn from the socially marginalized, it would seem logical that the groups would have had to work together to accomplish something as complex as gaining access to public space with the permanence of monuments. But in…
Beneath and before: Continuums of Publicness in Public Art
Public monuments traditionally appear in high contrast to their landscapes, an effect that sets aesthetic, ideological and social distances. However, Manmale, counter-monuments, and counter-hegemonic monuments (eg the AIDS quilt, Rachael Whiteread's House, Melbourne's Another View Walking Trail, Tiananmen's Goddess of Democracy, or Maya Lin's Vietnam Memorial), challenge the norms of monuments in visuality, fixedness, and permanence, and suggest …
Law (3 works) · Memory, Trauma, and Commemoration (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Media studies (2 works) · Neighbourhood (mathematics (2 works)