Donia Mounsef
Biographic Data
| ID | 2254739 |
|---|---|
| NAME | Donia Mounsef |
| GIVEN NAMES | Donia |
| FAMILY NAME | Mounsef |
| SIGNATURE | MOUNSEF D |
| AFFILIATIONS | University of Alberta |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Performance in "Noir et Blanc"
If we consider Le Chevalier de Saint-Georges (also known as Joseph Boulogne or Boullongne 1745-1799) – a decorated military hero whose swordsmanship, fighting and athletic acumen were unparalleled, a contemporary of Mozart whose musical, composing and conducting talent remained unsurpassed – it comes as a surprise that his character was never developed for the theatre until the 1840s, four decades after his death. This, even though the French sta…
Queering solidarity
Women and revolutions have always had a thorny relationship. Women’s mere presence in the revolutionary public sphere and within protest culture has been the site of much controversy. More recently, from the Occupy Movement to the Women’s Marches, from Black Lives Matter to Femen, women protests have turned to performative practices to bring to light the material conditions of resistance within a framework informed by queer and trans. theories, t…
The seen, the scene and the obscene
(2005). The seen, the scene and the obscene: Commodity fetishism and corporeal ghosting. Women & Performance: a journal of feminist theory: Vol. 15, No. 2, pp. 243-261
Introduction
This special cluster of essays addressing issues of theatre and performance owes its existence to the desire to re-engage with the debate over the text/performance divide and the need to re-consider their dichotomy in a more productive and cross-disciplinary framework. Shedding new light on the diverse ways in which the theatre engages with its own conditions of possibility, the articles situate the debate historically, politically, aesthetically…
No prominent works on this page.
Introduction
This special cluster of essays addressing issues of theatre and performance owes its existence to the desire to re-engage with the debate over the text/performance divide and the need to re-consider their dichotomy in a more productive and cross-disciplinary framework. Shedding new light on the diverse ways in which the theatre engages with its own conditions of possibility, the articles situate the debate historically, politically, aesthetically…
The seen, the scene and the obscene
(2005). The seen, the scene and the obscene: Commodity fetishism and corporeal ghosting. Women & Performance: a journal of feminist theory: Vol. 15, No. 2, pp. 243-261
Queering solidarity
Women and revolutions have always had a thorny relationship. Women’s mere presence in the revolutionary public sphere and within protest culture has been the site of much controversy. More recently, from the Occupy Movement to the Women’s Marches, from Black Lives Matter to Femen, women protests have turned to performative practices to bring to light the material conditions of resistance within a framework informed by queer and trans. theories, t…
Performance in "Noir et Blanc"
If we consider Le Chevalier de Saint-Georges (also known as Joseph Boulogne or Boullongne 1745-1799) – a decorated military hero whose swordsmanship, fighting and athletic acumen were unparalleled, a contemporary of Mozart whose musical, composing and conducting talent remained unsurpassed – it comes as a surprise that his character was never developed for the theatre until the 1840s, four decades after his death. This, even though the French sta…
Sociology (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Art (2 works) · Epistemology (2 works) · Gender Studies (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · African Sexualities and LGBTQ+ Issues (1 work)