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The seen, the scene and the obscene

Commodity fetishism and corporeal ghosting

Bibliographic Data

ID4917255
AuthorsDonia Mounsef (Yale University, corresponding author)
Year2005
Volume15
Issue2
Pages243-261
Publication date2005-01-01
Open AccessNo
TypeARTICLE
VenueWomen & Performance a journal of feminist theory (JOURNAL)
Journal identifiersISSN: 0740-770X • E-ISSN: 1748-5819
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07407700508571514
OpenAlexW2050573596
LanguageEN
Citations received3
References cited6

(2005). The seen, the scene and the obscene: Commodity fetishism and corporeal ghosting. Women & Performance: a journal of feminist theory: Vol. 15, No. 2, pp. 243-261

Aesthetics · Art · Commodity · Economics · Epistemology · Fetishism · Ghosting · Objectification · Sociology · Anthropology · Cinema and Media Studies · Computer Science · History · Philosophy · Artificial Intelligence

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    Open Access•Juanjo Monsell Corts•Kamchatka Revista de análisis…•2020

  • Covering nipples

    M A Bock, Paromita Pain et al.•Feminist Media Studies•2017

  • Blank Darkness

    Christopher L Miller•Blank Darkness•1986

  • The Explicit Body in Performance

    Rodrigo Schneider, Rebecca Schneider•Explicit Body in Performance•2013

  • The Haunted Stage

    Open Access•Marvin Carlson, Marvin Albert Carlson•The Haunted Stage: The Theatre as…•2001

  • Capital

    Open Access•Karl Marx•On Violence•2020

  • Visual Pleasure and Narrative Cinema

    Laura Mulvey•Screen•1975

  • The Invention of Pornography

    Christopher Rivers, Lynn Hunt•SubStance•1994

Citations per year0.33
Citation span2017 - 2023 (7)
Highly citedNo

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