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Nadja Gernalzick

Biographic Data

ID2276454
NAMENadja Gernalzick
GIVEN NAMESNadja
FAMILY NAMEGernalzick
SIGNATUREGERNALZICK N
AFFILIATIONSUniversity of Mannheim
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX1
  • American Eagles and Tibetan Vultures

    Open Access•Nadja Gernalzick•ARTICLE•Journal of Transnational American…•2025

    .

  • Heyward, DuBose

    Open Access•Gerhild Bjornson, Nadja Gernalzick•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Der 1925 erschienene Debütroman verdankt seinen Erfolg den neuartigen, nicht mehr sentimentalen Schilderungen afroamerikanischen Lebens im Charleston der Wende zum 20. Jh. In Catfish Row lebt der körperbehinderte Porgy in der Nähe des Fischerhafens vom Betteln und Würfelspiel. Während einer heftigen Auseinandersetzung beim Glücksspiel wird einer der Beteiligten von dem hünenhaften Crown getötet. Porgys Freund, ein alter Afroamerikaner, wird als A…

  • Lives and Deaths in Photographic Tense

    Nadja Gernalzick•ARTICLE•a/b Auto/Biography Studies•2014•Cited by: 2•References: 4

    Starting from descriptions of filmic autobiography as particularly suited for investigations into temporality and tense, and as part of wider considerations of transmedial narratology and transmedial grammar, the essay discusses and exemplifies the analytical use of a paradoxical past tense deictic that is specifically attributed to photography and photographic film and for which linguistic tenses do not offer an equivalent. Aesthetic complexity …

  • To Act or to Perform

    Nadja Gernalzick•ARTICLE•Biography•2006•Cited by: 1

    This article traces pivotal developments in the history of first-person filmic narration and subjective camera technique as the principal elements of filmic autobiography. Theoretical approaches to defining filmic autobiography, and critical distinctions between autobiographical fiction film and filmic autobiography are developed with reference to films by Robert Montgomery, Jim McBride, and Jean-Luc Godard

  • Lives and Deaths in Photographic Tense

    Nadja Gernalzick•ARTICLE•a/b Auto/Biography Studies•2014•Cited by: 2•References: 4

    Starting from descriptions of filmic autobiography as particularly suited for investigations into temporality and tense, and as part of wider considerations of transmedial narratology and transmedial grammar, the essay discusses and exemplifies the analytical use of a paradoxical past tense deictic that is specifically attributed to photography and photographic film and for which linguistic tenses do not offer an equivalent. Aesthetic complexity …

  • To Act or to Perform

    Nadja Gernalzick•ARTICLE•Biography•2006•Cited by: 1

    This article traces pivotal developments in the history of first-person filmic narration and subjective camera technique as the principal elements of filmic autobiography. Theoretical approaches to defining filmic autobiography, and critical distinctions between autobiographical fiction film and filmic autobiography are developed with reference to films by Robert Montgomery, Jim McBride, and Jean-Luc Godard

  • To Act or to Perform

    Nadja Gernalzick•ARTICLE•Biography•2006•Cited by: 1

    This article traces pivotal developments in the history of first-person filmic narration and subjective camera technique as the principal elements of filmic autobiography. Theoretical approaches to defining filmic autobiography, and critical distinctions between autobiographical fiction film and filmic autobiography are developed with reference to films by Robert Montgomery, Jim McBride, and Jean-Luc Godard

  • Lives and Deaths in Photographic Tense

    Nadja Gernalzick•ARTICLE•a/b Auto/Biography Studies•2014•Cited by: 2•References: 4

    Starting from descriptions of filmic autobiography as particularly suited for investigations into temporality and tense, and as part of wider considerations of transmedial narratology and transmedial grammar, the essay discusses and exemplifies the analytical use of a paradoxical past tense deictic that is specifically attributed to photography and photographic film and for which linguistic tenses do not offer an equivalent. Aesthetic complexity …

  • Heyward, DuBose

    Open Access•Gerhild Bjornson, Nadja Gernalzick•CHAPTER•Kindlers Literatur Lexikon (KLL)•2020

    Der 1925 erschienene Debütroman verdankt seinen Erfolg den neuartigen, nicht mehr sentimentalen Schilderungen afroamerikanischen Lebens im Charleston der Wende zum 20. Jh. In Catfish Row lebt der körperbehinderte Porgy in der Nähe des Fischerhafens vom Betteln und Würfelspiel. Während einer heftigen Auseinandersetzung beim Glücksspiel wird einer der Beteiligten von dem hünenhaften Crown getötet. Porgys Freund, ein alter Afroamerikaner, wird als A…

  • American Eagles and Tibetan Vultures

    Open Access•Nadja Gernalzick•ARTICLE•Journal of Transnational American…•2025

    .

Art (3 works) · Biography (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works) · Photography and Visual Culture (2 works) · Aesthetics (1 work) · Art history (1 work) · Autobiographical and Biographical Writing (1 work) · Avian ecology and behavior (1 work)

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