To Act or to Perform
Distinguishing Filmic Autobiography
Bibliographic Data
| ID | 4933260 |
|---|---|
| Authors | Nadja Gernalzick (corresponding author) |
| Year | 2006 |
| Volume | 29 |
| Issue | 1 |
| Pages | 1-13 |
| Publication date | 2006-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2006.0022 |
| OpenAlex | W2078369420 |
| Language | EN |
| Citations received | 3 |
| References cited | 3 |
This article traces pivotal developments in the history of first-person filmic narration and subjective camera technique as the principal elements of filmic autobiography. Theoretical approaches to defining filmic autobiography, and critical distinctions between autobiographical fiction film and filmic autobiography are developed with reference to films by Robert Montgomery, Jim McBride, and Jean-Luc Godard
Art · Art history · Biography · Literature · Narrative · Cinema and Media Studies · Computer Science · History · Philosophy, History, and Historiography · Photography and Visual Culture
| Citations per year | 0.21 |
|---|---|
| Citation span | 2012 - 2013 (2) |
| Highly cited | No |