Tatu-Ilari Laukkanen
Biographic Data
| ID | 2282746 |
|---|---|
| NAME | Tatu-Ilari Laukkanen |
| GIVEN NAMES | Tatu-Ilari |
| FAMILY NAME | Laukkanen |
| SIGNATURE | LAUKKANEN T |
| AFFILIATIONS | University of Hong Kong |
| ORCID | 0000-0002-6172-8594 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Shanghai gangster films and the politics of change
In this paper through a very close textual reading I will show the ideological differences between two films based on the life of Shanghai gangster Du Yuesheng (1888, Pudong – 1951, Hong Kong) through close formal and narrative analysis. Du was already a celebrity in his day in the Republican era and is still a con-troversial figure in Greater China. However, there are only two films based on the life of the French Con-cession opium kingpin, the …
Sino-brazilian cinematic connections
This article positions Lik-wai's 2008 Sino-Brazilian film Plastic City as a precursor of BRICS cinema and, through a close textual analysis demonstrates how it critically engages Sino-Brazilian relations, flows of capital, commodities, immigration and culture, as well as environmental issues in a matrix of globalization from an emerging economy perspective. Plastic City is intertextually linked to Chinese, Brazilian and world cinema, illuminating…
No prominent works on this page.
Sino-brazilian cinematic connections
This article positions Lik-wai's 2008 Sino-Brazilian film Plastic City as a precursor of BRICS cinema and, through a close textual analysis demonstrates how it critically engages Sino-Brazilian relations, flows of capital, commodities, immigration and culture, as well as environmental issues in a matrix of globalization from an emerging economy perspective. Plastic City is intertextually linked to Chinese, Brazilian and world cinema, illuminating…
Shanghai gangster films and the politics of change
In this paper through a very close textual reading I will show the ideological differences between two films based on the life of Shanghai gangster Du Yuesheng (1888, Pudong – 1951, Hong Kong) through close formal and narrative analysis. Du was already a celebrity in his day in the Republican era and is still a con-troversial figure in Greater China. However, there are only two films based on the life of the French Con-cession opium kingpin, the …
Art (2 works) · Art history (2 works) · History (2 works) · Literature (2 works) · Media studies (2 works) · Movie theater (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Asian Culture and Media Studies (1 work)