Sino-brazilian cinematic connections
Bibliographic Data
| ID | 4938479 |
|---|---|
| Authors | Tatu-Ilari Laukkanen (0000-0002-6172-8594, University of Hong Kong, corresponding author) |
| Year | 2018 |
| Volume | 9 |
| Issue | 2 |
| Pages | 161-186 |
| Publication date | 2018-12-14 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Idéias (JOURNAL) |
| Journal identifiers | ISSN: 0104-7876 • E-ISSN: 2179-5525 |
| Publisher | Universidade Estadual de Campinas (PUBLISHER • BR) |
| DOI | 10.20396/ideias.v9i2.8655601 |
| OpenAlex | W2965138093 |
| Language | EN |
| References cited | 6 |
This article positions Lik-wai's 2008 Sino-Brazilian film Plastic City as a precursor of BRICS cinema and, through a close textual analysis demonstrates how it critically engages Sino-Brazilian relations, flows of capital, commodities, immigration and culture, as well as environmental issues in a matrix of globalization from an emerging economy perspective. Plastic City is intertextually linked to Chinese, Brazilian and world cinema, illuminating its connections to past and present film movements and how it mobilizes their poetics and politics
Art · Art history · Capital (architecture · Economic geography · Economics · Economy · Geography · Globalization · Immigration · Literature · Media studies · Movie theater · Perspective (graphical · Poetics · Poetry · Political economy · Political science · Politics · Sociology · Visual arts · Asian Culture and Media Studies · Cinema and Media Studies · History · Japanese History and Culture
| Highly cited | No |
|---|