Chloe Kathleen Preedy
Biographic Data
| ID | 2298849 |
|---|---|
| NAME | Chloe Kathleen Preedy |
| GIVEN NAMES | Chloe Kathleen |
| FAMILY NAME | Preedy |
| SIGNATURE | PREEDY C K |
| AFFILIATIONS | University of Exeter |
| ORCID | 0000-0002-1776-3042 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Turbulent Ecodramaturgy
In encountering Pericles as a written and performed text, we are struck immediately by the intricate currents that wind through the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds of Pericles in…
Mixed Faith and Shared Feeling
Reviewed by: Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis Chloe Kathleen Preedy MIXED FAITH AND SHARED FEELING: THEATER IN POST-REFORMATION LONDON. By Musa Gurnis. Philadelphia: University of Pennsylvania Press, 2018; pp. 272. In Mixed Faith and Shared Feeling: Theater in Post-Reformation London, Musa Gurnis offers a fascinating reevaluation of how dramatists writing for the commercial English theatre responde…
Polemic
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Breaches in a Battered Wall
This article explores how the fictional representation of siege and invasion in the war dramas of the 1580s and 1590s enabled Elizabethan dramatists to reflect on the vulnerable state of their own theatre, threatened with invasion and destruction by anti-theatrical authors and unruly spectators alike. Through consideration of how the invasion of the city is portrayed in Marlowe's Tamburlaine plays, Shakespeare's 2 Henry VI and Heywood's Edward IV…
Sacred text – Sacred space
Bringing the house down
Christopher Marlowe's depictions of religious conflict engage with major political and national issues, but they also acknowledge the domestic implications of such conflict. In sixteenth‐century England, theological dissent split households as well as nations, and Marlowe introduces his audiences to characters who cite religious precedents to justify domestic treason: committed in the name of religion, their actions fracture families, and turn se…
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Sacred text – Sacred space
Bringing the house down
Christopher Marlowe's depictions of religious conflict engage with major political and national issues, but they also acknowledge the domestic implications of such conflict. In sixteenth‐century England, theological dissent split households as well as nations, and Marlowe introduces his audiences to characters who cite religious precedents to justify domestic treason: committed in the name of religion, their actions fracture families, and turn se…
Breaches in a Battered Wall
This article explores how the fictional representation of siege and invasion in the war dramas of the 1580s and 1590s enabled Elizabethan dramatists to reflect on the vulnerable state of their own theatre, threatened with invasion and destruction by anti-theatrical authors and unruly spectators alike. Through consideration of how the invasion of the city is portrayed in Marlowe's Tamburlaine plays, Shakespeare's 2 Henry VI and Heywood's Edward IV…
Polemic
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Mixed Faith and Shared Feeling
Reviewed by: Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis Chloe Kathleen Preedy MIXED FAITH AND SHARED FEELING: THEATER IN POST-REFORMATION LONDON. By Musa Gurnis. Philadelphia: University of Pennsylvania Press, 2018; pp. 272. In Mixed Faith and Shared Feeling: Theater in Post-Reformation London, Musa Gurnis offers a fascinating reevaluation of how dramatists writing for the commercial English theatre responde…
Turbulent Ecodramaturgy
In encountering Pericles as a written and performed text, we are struck immediately by the intricate currents that wind through the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds of Pericles in…
History (5 works) · Art (4 works) · History (4 works) · Philosophy (4 works) · Philosophy (4 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Art history (2 works)