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Turbulent Ecodramaturgy

The Winds of Pericles

Bibliographic Data

ID21722445
AuthorsEvelyn O’Malley (0000-0003-2168-917X, Department of Communications, Drama and Film, University of Exeter, Exeter, UK), Chloe Kathleen Preedy (0000-0002-1776-3042, Department of Communications, Drama and Film, University of Exeter, Exeter, UK, corresponding author)
Year2023
Volume27
Issue4
Pages466-480
Publication date2023-10-02
Open AccessYes
TypeARTICLE
VenueGreen Letters (JOURNAL)
Journal identifiersISSN: 1468-8417 • E-ISSN: 2168-1414
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14688417.2024.2307984
OpenAlexW4391882306
LanguageEN
References cited23

In encountering Pericles as a written and performed text, we are struck immediately by the intricate currents that wind through the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds of Pericles in the hope that it might likewise suggest the possibilities offered by an awareness of how a play’s aerial currents can affect the liveness of audience experience, the nuances of reception, and the related apprehension of environment – even, or perhaps especially, when it comes to works that are difficult to encounter in performance

Astronomy · Atmospheric sciences · Meteorology · Physics · Turbulence · Child Therapy and Development · History · Jungian Analytical Psychology · Outdoor and Experiential Education · Geology

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Highly citedNo

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