Evelyn O’Malley
Biographic Data
| ID | 6947379 |
|---|---|
| NAME | Evelyn O’Malley |
| GIVEN NAMES | Evelyn |
| FAMILY NAME | O’Malley |
| SIGNATURE | O’MALLEY E |
| AFFILIATIONS | University of Exeter |
| ORCID | 0000-0003-2168-917X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Singing in the Rain
While the temporal boundaries of the Anthropocene remain contested, many scholars alight upon the mid-twentieth century – particularly the 1950s, commonly historicised as the ‘post-war years’ in We
Staging Climate (Eu)Catastrophe
This article analyses the Watermill Theatre’s 2023 revival of The Lord of the Rings: A Musical Tale. Directed by Paul Hart, the actor-musician production reimagined Tolkien’s narrative to foreground ecological themes and anti-industrial critique. Attention to staging and design demonstrates how environmental commitments can be embedded in theatrical practice itself, modelling sustainable approaches that resonate beyond the stage. The production c…
‘Me and the Sky’
This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away. While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and metaphorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides th…
Turbulent Ecodramaturgy
In encountering Pericles as a written and performed text, we are struck immediately by the intricate currents that wind through the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds of Pericles in…
Experiencing Event Management During the Coronavirus Pandemic
Events have played a significant role in the way in which the Coronavirus pandemic has been experienced and known around the world. Little is known though about how the pandemic has impacted on supporting, managing and governing events in municipal (i.e., local) authorities as key stakeholders, nor how events have featured in the opening-up of localities. This paper reports on empirical research with senior events officers for local authorities i…
Dancing with the Archive
Historically the appearance of twelve men dressed as satyrs, who are introduced as “having danced before the king” in The Winter’s Tale , have assisted with dating Shakespeare’s play in the same year as Ben Jonson’s masque, Oberon, The Fairy Prince (1611). Stone No More , a devised performance created by the author for the Exeter Northcott Theatre, United Kingdom, took this moment of intertextuality as its inspiration, and, working with what is k…
No prominent works on this page.
Dancing with the Archive
Historically the appearance of twelve men dressed as satyrs, who are introduced as “having danced before the king” in The Winter’s Tale , have assisted with dating Shakespeare’s play in the same year as Ben Jonson’s masque, Oberon, The Fairy Prince (1611). Stone No More , a devised performance created by the author for the Exeter Northcott Theatre, United Kingdom, took this moment of intertextuality as its inspiration, and, working with what is k…
Experiencing Event Management During the Coronavirus Pandemic
Events have played a significant role in the way in which the Coronavirus pandemic has been experienced and known around the world. Little is known though about how the pandemic has impacted on supporting, managing and governing events in municipal (i.e., local) authorities as key stakeholders, nor how events have featured in the opening-up of localities. This paper reports on empirical research with senior events officers for local authorities i…
Turbulent Ecodramaturgy
In encountering Pericles as a written and performed text, we are struck immediately by the intricate currents that wind through the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds of Pericles in…
‘Me and the Sky’
This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away. While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and metaphorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides th…
Singing in the Rain
While the temporal boundaries of the Anthropocene remain contested, many scholars alight upon the mid-twentieth century – particularly the 1950s, commonly historicised as the ‘post-war years’ in We
Staging Climate (Eu)Catastrophe
This article analyses the Watermill Theatre’s 2023 revival of The Lord of the Rings: A Musical Tale. Directed by Paul Hart, the actor-musician production reimagined Tolkien’s narrative to foreground ecological themes and anti-industrial critique. Attention to staging and design demonstrates how environmental commitments can be embedded in theatrical practice itself, modelling sustainable approaches that resonate beyond the stage. The production c…
Art (2 works) · Climate change (2 works) · Ecocriticism and Environmental Literature (2 works) · Geography (2 works) · Geology (2 works) · History (2 works) · Meteorology (2 works) · Musical (2 works) · Political science (2 works) · Sociology (2 works)