D Murphy
Biographic Data
| ID | 22990 |
|---|---|
| NAME | D Murphy |
| GIVEN NAMES | D |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY D |
| AFFILIATIONS | University of Strathclyde |
| ORCID | 0000-0002-4450-6308 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Christopher L. Miller , Thresholds
This article was published open access under a CC BY-NC-ND licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ .
The League Against Imperialism
The League Against Imperialism: Lives and Afterlives explores the dramatic and engaging story of a global institution that brought together activists across geographical and political borders for the goal of eradicating colonial rule worldwide. The League against Imperialism (LAI) attracted anticolonial activists like India’s Jawaharlal Nehru, Indonesia’s Sukarno, and Kenya’s Jomo Kenyatta, as well as prominent figures such as Albert Einstein, Er…
Inside Dakar’s Musée Dynamique
In November 2016, a conference was held in Dakar to mark the 50th anniversary of the First World Festival of Negro Arts, which had been held in the city from 1 to 24 April 1966. The conference closed with the public reading of a declaration that the organizers would later publish in the Senegalese daily newspaper, Le Soleil. One of its main demands was the restitution of the former Musée Dynamique to the Ministry for Culture. This was unsurprisin…
Introduction
In any culture, festive events are often far more than simple opportunities to feast and celebrate. They can also be focal points for political or cultural movements, a chance to speak and act in ways that may be forbidden or limited in non-festive times. In the Caribbean, with its particular history of slavery and cross-cultural encounter, festivities were often highly policed, explosive points in the calendar. Slave dances were breaks in the re…
Archiving the First World Festival of Negro Arts (Dakar 1966)
This article will examine the concepts of recuperation, nostalgia and utopianism in relation to the First World Festival of Negro Arts, which was held in Dakar in 1966, in part through an exploration of how this event was evoked in the third edition of the festival (known as FESMAN) in 2010. It will address a series of intriguing questions about the difficulties involved in locating an archive of ephemeral, performance-based events, which may lea…
Literature after Empire
Daily movement, adiposity, and blood glucose among older adults of middle to lower socioeconomic status
Daily movement, adiposity, and blood glucose among older adults of middle to lower socioeconomic status. L S Pescatello, D Murphy, and L DiPietroCopyRight https://doi.org/10.2105/AJPH.86.4.592-a Published Online: October 07, 2011
Inside Dakar’s Musée Dynamique
In November 2016, a conference was held in Dakar to mark the 50th anniversary of the First World Festival of Negro Arts, which had been held in the city from 1 to 24 April 1966. The conference closed with the public reading of a declaration that the organizers would later publish in the Senegalese daily newspaper, Le Soleil. One of its main demands was the restitution of the former Musée Dynamique to the Ministry for Culture. This was unsurprisin…
Archiving the First World Festival of Negro Arts (Dakar 1966)
This article will examine the concepts of recuperation, nostalgia and utopianism in relation to the First World Festival of Negro Arts, which was held in Dakar in 1966, in part through an exploration of how this event was evoked in the third edition of the festival (known as FESMAN) in 2010. It will address a series of intriguing questions about the difficulties involved in locating an archive of ephemeral, performance-based events, which may lea…
Daily movement, adiposity, and blood glucose among older adults of middle to lower socioeconomic status
Daily movement, adiposity, and blood glucose among older adults of middle to lower socioeconomic status. L S Pescatello, D Murphy, and L DiPietroCopyRight https://doi.org/10.2105/AJPH.86.4.592-a Published Online: October 07, 2011
Literature after Empire
Archiving the First World Festival of Negro Arts (Dakar 1966)
This article will examine the concepts of recuperation, nostalgia and utopianism in relation to the First World Festival of Negro Arts, which was held in Dakar in 1966, in part through an exploration of how this event was evoked in the third edition of the festival (known as FESMAN) in 2010. It will address a series of intriguing questions about the difficulties involved in locating an archive of ephemeral, performance-based events, which may lea…
Inside Dakar’s Musée Dynamique
In November 2016, a conference was held in Dakar to mark the 50th anniversary of the First World Festival of Negro Arts, which had been held in the city from 1 to 24 April 1966. The conference closed with the public reading of a declaration that the organizers would later publish in the Senegalese daily newspaper, Le Soleil. One of its main demands was the restitution of the former Musée Dynamique to the Ministry for Culture. This was unsurprisin…
Introduction
In any culture, festive events are often far more than simple opportunities to feast and celebrate. They can also be focal points for political or cultural movements, a chance to speak and act in ways that may be forbidden or limited in non-festive times. In the Caribbean, with its particular history of slavery and cross-cultural encounter, festivities were often highly policed, explosive points in the calendar. Slave dances were breaks in the re…
The League Against Imperialism
The League Against Imperialism: Lives and Afterlives explores the dramatic and engaging story of a global institution that brought together activists across geographical and political borders for the goal of eradicating colonial rule worldwide. The League against Imperialism (LAI) attracted anticolonial activists like India’s Jawaharlal Nehru, Indonesia’s Sukarno, and Kenya’s Jomo Kenyatta, as well as prominent figures such as Albert Einstein, Er…
Christopher L. Miller , Thresholds
This article was published open access under a CC BY-NC-ND licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ .
Art (4 works) · History (4 works) · African history and culture studies (3 works) · History (3 works) · Political science (3 works) · Sociology (3 works) · Caribbean and African Literature and Culture (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works)