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Introduction

Carnivals, festivals, and pan-Africanism

Bibliographic Data

ID13036268
AuthorsTsitsi Jaji (0000-0003-3484-5784, Duke University), M Munro (0000-0003-2921-5585, Florida State University, corresponding author), D Murphy (0000-0002-4450-6308, University of Stirling)
Year2019
Volume9
Issue1
Pages1-3
Publication date2019-01-02
Open AccessNo
TypeARTICLE
VenueWorld Art (JOURNAL)
Journal identifiersISSN: 2150-0894 • E-ISSN: 2150-0908
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/21500894.2018.1479298
OpenAlexW2920887178
LanguageEN
Citations received1

In any culture, festive events are often far more than simple opportunities to feast and celebrate. They can also be focal points for political or cultural movements, a chance to speak and act in ways that may be forbidden or limited in non-festive times. In the Caribbean, with its particular history of slavery and cross-cultural encounter, festivities were often highly policed, explosive points in the calendar. Slave dances were breaks in the repetitive routine of the plantation, and chances to breach temporarily the strict colonial authority, in which the threat of retributive violence was ever fused with the equally strong need to escape the rigours of every-day life through festive activities

Art · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · Colonialism, slavery, and trade

  • Festival Cities

    J R Gold, Margaret M Gold et al.•Festival Cities•2020

Citations per year0.17
Citation span2020 - 2020 (1)
Highly citedNo

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