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Charles St-Georges

Biographic Data

ID230801
NAMECharles St-Georges
GIVEN NAMESCharles
FAMILY NAMESt-Georges
SIGNATUREST-GEORGES C
ORCID0000-0003-0419-1716
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Zombies as Temporal Critique: Sudor frío (2010) and Generations of Youth in Postdictatorship Argentina

    Charles St-Georges•ARTICLE•Studies in Latin American Popular…•2021

    Set in present-day Buenos Aires, the film Sudor frío (2010, dir. Adrián García Bogliano) features two former agents of the Proceso de Reorganización Nacional who continue to imprison zombified abductees from the Dirty War of the 1970s and 1980s in their decrepit house of horrors, where they also capture and torture newer generations of Argentine youth who are disconnected from the historical violence of the dictatorship and are supposedly disench…

  • Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism

    Charles St-Georges•ARTICLE•Journal of Latin American…•2016•Cited by: 1•References: 8

    Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Thr…

  • Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism

    Charles St-Georges•ARTICLE•Journal of Latin American…•2016•Cited by: 1•References: 8

    Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Thr…

  • Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism

    Charles St-Georges•ARTICLE•Journal of Latin American…•2016•Cited by: 1•References: 8

    Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Thr…

  • Zombies as Temporal Critique: Sudor frío (2010) and Generations of Youth in Postdictatorship Argentina

    Charles St-Georges•ARTICLE•Studies in Latin American Popular…•2021

    Set in present-day Buenos Aires, the film Sudor frío (2010, dir. Adrián García Bogliano) features two former agents of the Proceso de Reorganización Nacional who continue to imprison zombified abductees from the Dirty War of the 1970s and 1980s in their decrepit house of horrors, where they also capture and torture newer generations of Argentine youth who are disconnected from the historical violence of the dictatorship and are supposedly disench…

Art (2 works) · Democracy (2 works) · Dictatorship (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art history (1 works) · Cinema and Media Studies (1 works)

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