Brazilian Horrors Past and Present
José Mojica Marins and Politics As Reproductive Futurism
Bibliographic Data
| ID | 2170258 |
|---|---|
| Authors | Charles St-Georges (0000-0003-0419-1716, corresponding author) |
| Year | 2016 |
| Volume | 25 |
| Issue | 4 |
| Pages | 555-570 |
| Publication date | 2016-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Latin American Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 1356-9325 • E-ISSN: 1469-9575 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13569325.2016.1229660 |
| OpenAlex | W2525217582 |
| Language | EN |
| Citations received | 2 |
| References cited | 11 |
Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Throughout this trilogy, Zé do Caixão kidnaps, tortures, and murders scores of victims, effectively mimicking the human rights abuses that occurred under the dictatorship. He advocates liberation from the oppression of traditional morality while reinscribing its rhetorical raison d’être: purpose through procreation. The popular appeal of these films, their political intentionality, and their production during and after the dictatorship allow for an analysis of the rhetorical strategies employed by Marins in his attempt to both shock audiences and instill in them a counterhegemonic consciousness. Despite the radical agenda at work in Marins’s films, I will argue that this trilogy is conservative in its rhetorical framework, serving as an example of Lee Edelman’s reproductive futurism, wherein political legitimacy is contingent upon procreation
Aesthetics · Art · Art history · Democracy · Dictatorship · Literature · Oppression · Political science · Politics · Rhetorical question · Sociology · Trilogy · Cinema and Media Studies · Law · Music History and Culture · South Asian Cinema and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2025 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |