Guy Barefoot
Biographic Data
| ID | 2309432 |
|---|---|
| NAME | Guy Barefoot |
| GIVEN NAMES | Guy |
| FAMILY NAME | Barefoot |
| SIGNATURE | BAREFOOT G |
| AFFILIATIONS | University of Leicester |
| ORCID | 0000-0001-8518-9524 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Richard Maltby, Decoding the Movies
Journal Article Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series) Get access Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series). Exeter: University of Exeter Press, 2021, 496 pp. Guy Barefoot Guy Barefoot Email: [email protected] https://orcid.org/0000-0001-8518-9524 Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume…
Always a Good Programme Here’
This article contributes to a growing trend in cinema history to study cinemas in their local context. It draws on the records of the Tudor Cinema in Leicester from 1924 to 1932 to show how a neighbourhood cinema shaped a programme and attracted an audience in the final years of silent film and the early years of talking pictures. Through exploring the programmes offered, their audience figures and associated sales of goods such as chocolate and …
Who Watched that Masked Man? Hollywood's Serial Audiences in the 1930S
Autobiography and the Autobiographical in the Bill Douglas Trilogy
Through an examination of the production and reception of Bill Douglas's "autobiographical trilogy," and a comparison with Douglas's written description of his childhood, this article explores the problems of discussing film as autobiography, and differences between literary autobiography and autobiographical film, but also how the autobiographical remains central to our understanding of these particular films
Autobiography and the Autobiographical in the Bill Douglas Trilogy
Through an examination of the production and reception of Bill Douglas's "autobiographical trilogy," and a comparison with Douglas's written description of his childhood, this article explores the problems of discussing film as autobiography, and differences between literary autobiography and autobiographical film, but also how the autobiographical remains central to our understanding of these particular films
Autobiography and the Autobiographical in the Bill Douglas Trilogy
Through an examination of the production and reception of Bill Douglas's "autobiographical trilogy," and a comparison with Douglas's written description of his childhood, this article explores the problems of discussing film as autobiography, and differences between literary autobiography and autobiographical film, but also how the autobiographical remains central to our understanding of these particular films
Who Watched that Masked Man? Hollywood's Serial Audiences in the 1930S
Always a Good Programme Here’
This article contributes to a growing trend in cinema history to study cinemas in their local context. It draws on the records of the Tudor Cinema in Leicester from 1924 to 1932 to show how a neighbourhood cinema shaped a programme and attracted an audience in the final years of silent film and the early years of talking pictures. Through exploring the programmes offered, their audience figures and associated sales of goods such as chocolate and …
Richard Maltby, Decoding the Movies
Journal Article Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series) Get access Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series). Exeter: University of Exeter Press, 2021, 496 pp. Guy Barefoot Guy Barefoot Email: [email protected] https://orcid.org/0000-0001-8518-9524 Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume…
Art (4 works) · Cinema and Media Studies (4 works) · History (4 works) · Archaeology (2 works) · Art history (2 works) · History (2 works) · Hollywood (2 works) · Media studies (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Sociology (2 works)