Autobiography and the Autobiographical in the Bill Douglas Trilogy
Bibliographic Data
| ID | 4958053 |
|---|---|
| Authors | Guy Barefoot (0000-0001-8518-9524, corresponding author) |
| Year | 2006 |
| Volume | 29 |
| Issue | 1 |
| Pages | 14-29 |
| Publication date | 2006-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2006.0016 |
| OpenAlex | W2050201237 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
Through an examination of the production and reception of Bill Douglas's "autobiographical trilogy," and a comparison with Douglas's written description of his childhood, this article explores the problems of discussing film as autobiography, and differences between literary autobiography and autobiographical film, but also how the autobiographical remains central to our understanding of these particular films
Art · Autobiographical memory · Biography · Cognitive psychology · Literature · Trilogy · Cinema and Media Studies · Data Analysis and Archiving · History · Psychology · Theater, Performance, and Music History
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2024 (15) |
| Highly cited | No |