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Carolyn M Ramzy

Biographic Data

ID231202
NAMECarolyn M Ramzy
GIVEN NAMESCarolyn M
FAMILY NAMERamzy
SIGNATURERAMZY C M
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS15
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Heo, Angie, The Political Lives of Saints: Christian-Muslim Mediation in Egypt

    Open Access•Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Anthropologica•2020

  • Repatriating an Egyptian Modernity: Transcriptions and the Rise of Coptic Women’s Song Activism

    Carolyn Ramzy, Carolyn M Ramzy et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter examines Coptic Orthodox music culture through a gendered lens. Specifically, it investigates how the repatriation of Coptic music transcriptions has facilitated women’s song activism in male-dominated contexts. Yet, as women increasingly sound their presence in the Coptic church, they are often complicit in some of the Church’s moral narratives in containing women’s bodies, voices, and comportment in the Orthodox community. While th…

  • Modern singing sons of the Pharaohs: Transcriptions and Orientalism in a Digital Coptic Music Collection

    Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Ethnologies•2017

    In 2009, the U.S. Library of Congress officially launched the Ragheb Moftah Collection, an online exhibit that presented the largest music archive of Coptic liturgical recordings and music transcriptions outside of Egypt. Moftah, an amateur Egyptian collector, had commissioned an English composer, Ernest Newlandsmith, to notate and record the entire Orthodox hymnody. They both believed that, as the last connection to a Pharaonic and pre-Islamic p…

  • Singing Heaven on Earth: Coptic Counterpublics and Popular Song at Egyptianmūlidfestivals

    Open Access•Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•International Journal Middle East…•2017•Cited by: 2•References: 17

    This article explores the performative politics of devotional soundscapes at Coptic Christian mūlid festivals. Echoing the state's reformist efforts in the 1990s to transform Muslim saint festivals into utilitarian spaces and their goers into "modern" Egyptian citizens, today the Coptic Church works to refashion these popular festivals from places of debauchery into morally productive spaces. Aided by affluent Cairene-based volunteers, church cho…

  • To Die is Gain: Singing a Heavenly Citizenship among Egypt's Coptic Christians

    Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Ethnos•2015•Cited by: 13•References: 22

    In January 2011, Egyptian protestors arrived to Tahrir Square wearing stickers reading 'a martyr is available here' to highlight their willingness to die for the revolution. Many Coptic Christians also arrived to their own demonstrations wearing the same sticker. Drawing on a biblical verse 'For to me, to live is Christ and to die is gain', they claimed they came ready to die, not only for their nation, but also for their faith. In this article, …

  • To Die is Gain: Singing a Heavenly Citizenship among Egypt's Coptic Christians

    Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Ethnos•2015•Cited by: 13•References: 22

    In January 2011, Egyptian protestors arrived to Tahrir Square wearing stickers reading 'a martyr is available here' to highlight their willingness to die for the revolution. Many Coptic Christians also arrived to their own demonstrations wearing the same sticker. Drawing on a biblical verse 'For to me, to live is Christ and to die is gain', they claimed they came ready to die, not only for their nation, but also for their faith. In this article, …

  • Singing Heaven on Earth: Coptic Counterpublics and Popular Song at Egyptianmūlidfestivals

    Open Access•Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•International Journal Middle East…•2017•Cited by: 2•References: 17

    This article explores the performative politics of devotional soundscapes at Coptic Christian mūlid festivals. Echoing the state's reformist efforts in the 1990s to transform Muslim saint festivals into utilitarian spaces and their goers into "modern" Egyptian citizens, today the Coptic Church works to refashion these popular festivals from places of debauchery into morally productive spaces. Aided by affluent Cairene-based volunteers, church cho…

  • To Die is Gain: Singing a Heavenly Citizenship among Egypt's Coptic Christians

    Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Ethnos•2015•Cited by: 13•References: 22

    In January 2011, Egyptian protestors arrived to Tahrir Square wearing stickers reading 'a martyr is available here' to highlight their willingness to die for the revolution. Many Coptic Christians also arrived to their own demonstrations wearing the same sticker. Drawing on a biblical verse 'For to me, to live is Christ and to die is gain', they claimed they came ready to die, not only for their nation, but also for their faith. In this article, …

  • Modern singing sons of the Pharaohs: Transcriptions and Orientalism in a Digital Coptic Music Collection

    Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Ethnologies•2017

    In 2009, the U.S. Library of Congress officially launched the Ragheb Moftah Collection, an online exhibit that presented the largest music archive of Coptic liturgical recordings and music transcriptions outside of Egypt. Moftah, an amateur Egyptian collector, had commissioned an English composer, Ernest Newlandsmith, to notate and record the entire Orthodox hymnody. They both believed that, as the last connection to a Pharaonic and pre-Islamic p…

  • Singing Heaven on Earth: Coptic Counterpublics and Popular Song at Egyptianmūlidfestivals

    Open Access•Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•International Journal Middle East…•2017•Cited by: 2•References: 17

    This article explores the performative politics of devotional soundscapes at Coptic Christian mūlid festivals. Echoing the state's reformist efforts in the 1990s to transform Muslim saint festivals into utilitarian spaces and their goers into "modern" Egyptian citizens, today the Coptic Church works to refashion these popular festivals from places of debauchery into morally productive spaces. Aided by affluent Cairene-based volunteers, church cho…

  • Repatriating an Egyptian Modernity: Transcriptions and the Rise of Coptic Women’s Song Activism

    Carolyn Ramzy, Carolyn M Ramzy et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter examines Coptic Orthodox music culture through a gendered lens. Specifically, it investigates how the repatriation of Coptic music transcriptions has facilitated women’s song activism in male-dominated contexts. Yet, as women increasingly sound their presence in the Coptic church, they are often complicit in some of the Church’s moral narratives in containing women’s bodies, voices, and comportment in the Orthodox community. While th…

  • Heo, Angie, The Political Lives of Saints: Christian-Muslim Mediation in Egypt

    Open Access•Carolyn Ramzy, Carolyn M Ramzy•ARTICLE•Anthropologica•2020

Philosophy (5 works) · Art (4 works) · History (4 works) · Islamic Studies and History (4 works) · Law (4 works) · Literature (4 works) · Politics (4 works) · Sociology (4 works) · Aesthetics (3 works) · African history and culture analysis (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae