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Singing Heaven on Earth

Coptic Counterpublics and Popular Song at Egyptianmūlidfestivals

Bibliographic Data

ID5769181
AuthorsCarolyn Ramzy (Carleton University, corresponding author), Carolyn M Ramzy
Year2017
Volume49
Issue3
Pages375-394
Publication date2017-07-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal Middle East Studies (JOURNAL)
Journal identifiersISSN: 0020-7438 • E-ISSN: 1471-6380
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0020743817000290
OpenAlexW2737498123
LanguageEN
Citations received3
References cited35

This article explores the performative politics of devotional soundscapes at Coptic Christian mūlid festivals. Echoing the state's reformist efforts in the 1990s to transform Muslim saint festivals into utilitarian spaces and their goers into "modern" Egyptian citizens, today the Coptic Church works to refashion these popular festivals from places of debauchery into morally productive spaces. Aided by affluent Cairene-based volunteers, church choirs travel from Cairo's poshest neighborhoods to these festivals to actively sing, disseminate, and teach popular religious songs ( taratīl ) in an effort to develop poorer Christian pilgrims into modern, pious, and more audible "citizens of heaven." Through the analysis of one church choir's taratīl ministry at the mūlid , I illustrate how middle-class spiritual volunteers disrupt and, at times, reinscribe the Coptic Church's disciplinary efforts on the festival's poorer pilgrims, particularly as they look to modernize popular festivity into grounds of Christian ethical transformation

Aesthetics · Art · Art history · Christian ministry · Heaven · Literature · Management · SAINT · Singing · Sociology · Theology · Visual arts · Anthropological Studies and Insights · History · Islamic Studies and History · Philosophy · Religious Tourism and Spaces

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Unique citing works3
Citations per year0,6
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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