Johannes Riedel
Biographic Data
| ID | 235275 |
|---|---|
| NAME | Johannes Riedel |
| GIVEN NAMES | Johannes |
| FAMILY NAME | Riedel |
| SIGNATURE | RIEDEL J |
| AFFILIATIONS | University of Minnesota |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 46 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1868 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Das Reichsjustizprüfungsamt (= Beiträge zur Rechtsgeschichte des 20. Jahrhunderts 104)
The Fragmentation of American Folklife Studies
"The Ecuadorean "Pasillo: Musica Popular," "Musica Nacional," or "Musica Folklorica
Johannes Riedel, The Ecuadorean "Pasillo": "Música Popular," "Música Nacional," or "Música Folklórica"?, Latin American Music Review / Revista de Música Latinoamericana, Vol. 7, No. 1 (Spring - Summer, 1986), pp. 1-25
Soul Music Black & White
Sing a Song of Social Significance
The Art of Ragtime: Form and Meaning of an Original Black American Art
The Music of the English Church
Concerned with the growth and development of the art of liturgical music and the circumstances under which it was written and performed, this book shows English church music as part of the far wider pattern of western European musical culture and examines the effect upon it of such great continental movements as the Renaissance and Baroque. The author seeks to project it against its religious, political, economic and social background, and to tra…
The Art of Ragtime: Form and Meaning of an Original Black American Art
"Indian Intermezzi ("Play It One More Time, Chief)
Renaissance and Baroque Music: A Comprehensive Survey
The Four Ages of Music
Essays Before a Sonata and Other Writings
Theory and Method in Ethnomusicology
Cantus Firmus in Mass and Motet, 1420–1520
The Function of Sociability in the Sociology of Music and Music Education
MUSIC iS, as Sir Jack Westrup puts it,1 not something which comes out of the blue; it is man-made. It is a conscious social phenomenon created by man to fulfill an individual and collectirre need. Man is considered here as a social being whose music is a form of social behavior that enables him to identify himself both as a culturally motivated individual and as a collective member whose characteristic is socio-cultural interaction with other mem…
The Sociology of Music
History of Music Theory: Books I and II: Polyphonic Theory to the Sixteenth Century
Tonality and Atonality in Sixteenth-Century Music
An Introduction to Folk Music in the United States
The Rational and Social Foundations of Music
The Rational and Social Foundations of Music
Die Bedeutung der Arbeitsforschung f r die P dagogik
Een Kort Woord naar Aanleiding van H. C. Klinkerts ,,Iets ocer de Maleische School en Volksleesboeken
en in 1865 eene verzameling van Maleische spreekwoorden en spreekwijzen uitgegeven *.Beide geschriften zijn zeer merkwaardig
Theory and Method in Ethnomusicology
The Rational and Social Foundations of Music
The Rational and Social Foundations of Music
"The Ecuadorean "Pasillo: Musica Popular," "Musica Nacional," or "Musica Folklorica
Johannes Riedel, The Ecuadorean "Pasillo": "Música Popular," "Música Nacional," or "Música Folklórica"?, Latin American Music Review / Revista de Música Latinoamericana, Vol. 7, No. 1 (Spring - Summer, 1986), pp. 1-25
Die Bedeutung der Arbeitsforschung f r die P dagogik
Een Kort Woord naar Aanleiding van H. C. Klinkerts ,,Iets ocer de Maleische School en Volksleesboeken
en in 1865 eene verzameling van Maleische spreekwoorden en spreekwijzen uitgegeven *.Beide geschriften zijn zeer merkwaardig
Die Bedeutung der Arbeitsforschung f r die P dagogik
The Rational and Social Foundations of Music
The Rational and Social Foundations of Music
Tonality and Atonality in Sixteenth-Century Music
An Introduction to Folk Music in the United States
History of Music Theory: Books I and II: Polyphonic Theory to the Sixteenth Century
Cantus Firmus in Mass and Motet, 1420–1520
The Function of Sociability in the Sociology of Music and Music Education
MUSIC iS, as Sir Jack Westrup puts it,1 not something which comes out of the blue; it is man-made. It is a conscious social phenomenon created by man to fulfill an individual and collectirre need. Man is considered here as a social being whose music is a form of social behavior that enables him to identify himself both as a culturally motivated individual and as a collective member whose characteristic is socio-cultural interaction with other mem…
The Sociology of Music
The Four Ages of Music
Essays Before a Sonata and Other Writings
Theory and Method in Ethnomusicology
Renaissance and Baroque Music: A Comprehensive Survey
"Indian Intermezzi ("Play It One More Time, Chief)
The Music of the English Church
Concerned with the growth and development of the art of liturgical music and the circumstances under which it was written and performed, this book shows English church music as part of the far wider pattern of western European musical culture and examines the effect upon it of such great continental movements as the Renaissance and Baroque. The author seeks to project it against its religious, political, economic and social background, and to tra…
The Art of Ragtime: Form and Meaning of an Original Black American Art
The Art of Ragtime: Form and Meaning of an Original Black American Art
Sing a Song of Social Significance
Soul Music Black & White
"The Ecuadorean "Pasillo: Musica Popular," "Musica Nacional," or "Musica Folklorica
Johannes Riedel, The Ecuadorean "Pasillo": "Música Popular," "Música Nacional," or "Música Folklórica"?, Latin American Music Review / Revista de Música Latinoamericana, Vol. 7, No. 1 (Spring - Summer, 1986), pp. 1-25
The Fragmentation of American Folklife Studies
Das Reichsjustizprüfungsamt (= Beiträge zur Rechtsgeschichte des 20. Jahrhunderts 104)
Art (18 works) · Psychology (9 works) · Visual arts (9 works) · Musicology and Musical Analysis (8 works) · Music education (7 works) · Philosophy (7 works) · Sociology (6 works) · Aesthetics (5 works) · Art history (5 works) · History (5 works)