The Function of Sociability in the Sociology of Music and Music Education
Bibliographic Data
| ID | 10201183 |
|---|---|
| Authors | Johannes Riedel (University of Minnesota, corresponding author) |
| Year | 1964 |
| Volume | 12 |
| Issue | 2 |
| Pages | 149-158 |
| Publication date | 1964-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Research in Music Education (JOURNAL) |
| Journal identifiers | ISSN: 0022-4294 • E-ISSN: 1945-0095 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.2307/3343655 |
| OpenAlex | W2063561927 |
| Language | EN |
| Citations received | 2 |
MUSIC iS, as Sir Jack Westrup puts it,1 not something which comes out of the blue; it is man-made. It is a conscious social phenomenon created by man to fulfill an individual and collectirre need. Man is considered here as a social being whose music is a form of social behavior that enables him to identify himself both as a culturally motivated individual and as a collective member whose characteristic is socio-cultural interaction with other members of his cultural community
Aesthetics · Art · Cultural phenomenon · Epistemology · Function (biology · Music education · Musicology · Pedagogy · Phenomenon · Social function · Social phenomenon · Social relation · Social science · Sociology · Diverse Music Education Insights · Music History and Culture · Musicians’ Health and Performance · Psychology · Social Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,04 |
| Citation span | 1969 - 2023 (55) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |