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D Porter

Biographic Data

ID24878
NAMED Porter
GIVEN NAMESD
FAMILY NAMEPorter
SIGNATUREPORTER D
AFFILIATIONSUniversity of Glasgow
ORCID0000-0003-0275-7472
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS5
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Supplemental Material for You Do It to Yourself

    Samantha Mikhael, Poppy Watson et al.•ARTICLE•Emotion•2021

    This document describes analyses of gaze dwell time on CS+ and CS-distractor stimuli, and latencies of first saccades towards distractors and targets, in Experiments 1 and 2

  • Catalogues for an entropic collection

    Open Access•D Porter•ARTICLE•BJHS Themes•2019•References: 5

    This essay takes the Hunterian Museum's collections, and particularly the large collection of anatomical preparations, as a case study to isolate the role of collections in disciplinary consolidation and change. I examine a large, unstudied paper archive of catalogues and inventories that strive to organize and account for objects, but more often reveal the collection's gradual transformation through continual losses and gains. This evidence indi…

  • Science, Form, and the Problem of Induction in British Romanticism

    D Porter•BOOK•Science, Form, and the Problem of…•2018

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this histor…

  • Specimen Poetics

    D Porter•ARTICLE•Representations•2017•Cited by: 4•References: 1

    This essay argues that the modern literary anthology-and specifically its aspiration to delimit both aesthetic merit and historical representativeness-emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century…

  • Worm Work

    D Porter•ARTICLE•Configurations•2013

    Reviewed by: Worm Work: Recasting Romanticism by Janelle A. Schwartz Dahlia Porter (bio) Janelle A. Schwartz, Worm Work: Recasting Romanticism. Minneapolis: University of Minnesota Press, 2012, 296 pp. $82.50 cloth, $27.50 paper. On June 24, 2013, just in time for the hectic summer-wedding season, the Huffington Post reported that designer Yumi Katsura had created a glow-in-the-dark wedding dress from silk spun by genetically engineered silkworms…

  • Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison

    Open Access•Ling Hon Lam, D Porter•ARTICLE•Literature Compass•2010•References: 2

    In his provocative article, Franco Moretti raises issues central to the criticism of the novel, and his insights generated a vibrant cross‐disciplinary conversation between the authors of this response. In this essay, we introduce several alternative approaches that redirect and extend Moretti’s argument. Instead of reifying the opposition between Chinese novels (as aesthetic objects) and English novels (as commodities), we see the chiasmus of ae…

  • The effect of audience age on measured written performance

    Open Access•D Porter, D L Porter et al.•ARTICLE•System•1999•Cited by: 1•References: 3

  • In Sickness and in Health

    D Porter, D M Porter•ARTICLE•Oxford Art Journal•1998

    Journal Article In Sickness and in Health Get access Sander L. Gilman : Health and Illness. Images of Difference ( Reaktion Books : London , 1995 ), 91 b&w illns, 200 pp., hardback ISBN 0-948462-69-8 , £17.95. Dorothy Porter Dorothy Porter Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 21, Issue 1, 1998, Pages 143–145, https://doi.org/10.1093/oxartj/21.1.143 Published: 01 March 1998

  • Shorter Notices

    D Porter•ARTICLE•The English Historical Review•1997

    SHORTER NOTICES DOROTHY PORTER DOROTHY PORTER Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXII, Issue 448, September 1997, Pages 1016–1017, https://doi.org/10.1093/ehr/CXII.448.1016 Published: 01 September 1997

  • Shorter Notices

    D Porter•ARTICLE•The English Historical Review•1996

    Journal Article SHORTER NOTICES Get access DOROTHY PORTER DOROTHY PORTER Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXI, Issue 443, September 1996, Pages 1030-b–1032, https://doi.org/10.1093/ehr/CXI.443.1030-b Published: 01 September 1996

  • Collection of a clean voided urine specimen

    L A Fisher, Timothy S Johnson et al.•ARTICLE•American Journal of Public Health•1977•References: 12

    In an effort to compare different methods of instructing patients, 99 women 18-25 years of age were given computer, spoken, weitten, or no instructions for the collection of a clean voided urine specimen. The group who received computer instructions was the most uniform in its performance (P less than 0.002, F-test) and reported the fewest procedural problems (P less than 0.02, Fisher test). In addition, this group had fewer contaminating bacteri…

  • Six Area Studies

    D Porter, D L Porter•ARTICLE•Comparative Education•1971

  • Specimen Poetics

    D Porter•ARTICLE•Representations•2017•Cited by: 4•References: 1

    This essay argues that the modern literary anthology-and specifically its aspiration to delimit both aesthetic merit and historical representativeness-emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century…

  • The effect of audience age on measured written performance

    Open Access•D Porter, D L Porter et al.•ARTICLE•System•1999•Cited by: 1•References: 3

  • Six Area Studies

    D Porter, D L Porter•ARTICLE•Comparative Education•1971

  • Collection of a clean voided urine specimen

    L A Fisher, Timothy S Johnson et al.•ARTICLE•American Journal of Public Health•1977•References: 12

    In an effort to compare different methods of instructing patients, 99 women 18-25 years of age were given computer, spoken, weitten, or no instructions for the collection of a clean voided urine specimen. The group who received computer instructions was the most uniform in its performance (P less than 0.002, F-test) and reported the fewest procedural problems (P less than 0.02, Fisher test). In addition, this group had fewer contaminating bacteri…

  • Shorter Notices

    D Porter•ARTICLE•The English Historical Review•1996

    Journal Article SHORTER NOTICES Get access DOROTHY PORTER DOROTHY PORTER Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXI, Issue 443, September 1996, Pages 1030-b–1032, https://doi.org/10.1093/ehr/CXI.443.1030-b Published: 01 September 1996

  • Shorter Notices

    D Porter•ARTICLE•The English Historical Review•1997

    SHORTER NOTICES DOROTHY PORTER DOROTHY PORTER Birkbeck College Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CXII, Issue 448, September 1997, Pages 1016–1017, https://doi.org/10.1093/ehr/CXII.448.1016 Published: 01 September 1997

  • In Sickness and in Health

    D Porter, D M Porter•ARTICLE•Oxford Art Journal•1998

    Journal Article In Sickness and in Health Get access Sander L. Gilman : Health and Illness. Images of Difference ( Reaktion Books : London , 1995 ), 91 b&w illns, 200 pp., hardback ISBN 0-948462-69-8 , £17.95. Dorothy Porter Dorothy Porter Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 21, Issue 1, 1998, Pages 143–145, https://doi.org/10.1093/oxartj/21.1.143 Published: 01 March 1998

  • The effect of audience age on measured written performance

    Open Access•D Porter, D L Porter et al.•ARTICLE•System•1999•Cited by: 1•References: 3

  • Hybrid Commodities, Gendered Aesthetics, and the Challenge of Cross‐Cultural Comparison

    Open Access•Ling Hon Lam, D Porter•ARTICLE•Literature Compass•2010•References: 2

    In his provocative article, Franco Moretti raises issues central to the criticism of the novel, and his insights generated a vibrant cross‐disciplinary conversation between the authors of this response. In this essay, we introduce several alternative approaches that redirect and extend Moretti’s argument. Instead of reifying the opposition between Chinese novels (as aesthetic objects) and English novels (as commodities), we see the chiasmus of ae…

  • Worm Work

    D Porter•ARTICLE•Configurations•2013

    Reviewed by: Worm Work: Recasting Romanticism by Janelle A. Schwartz Dahlia Porter (bio) Janelle A. Schwartz, Worm Work: Recasting Romanticism. Minneapolis: University of Minnesota Press, 2012, 296 pp. $82.50 cloth, $27.50 paper. On June 24, 2013, just in time for the hectic summer-wedding season, the Huffington Post reported that designer Yumi Katsura had created a glow-in-the-dark wedding dress from silk spun by genetically engineered silkworms…

  • Specimen Poetics

    D Porter•ARTICLE•Representations•2017•Cited by: 4•References: 1

    This essay argues that the modern literary anthology-and specifically its aspiration to delimit both aesthetic merit and historical representativeness-emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century…

  • Science, Form, and the Problem of Induction in British Romanticism

    D Porter•BOOK•Science, Form, and the Problem of…•2018

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this histor…

  • Catalogues for an entropic collection

    Open Access•D Porter•ARTICLE•BJHS Themes•2019•References: 5

    This essay takes the Hunterian Museum's collections, and particularly the large collection of anatomical preparations, as a case study to isolate the role of collections in disciplinary consolidation and change. I examine a large, unstudied paper archive of catalogues and inventories that strive to organize and account for objects, but more often reveal the collection's gradual transformation through continual losses and gains. This evidence indi…

  • Supplemental Material for You Do It to Yourself

    Samantha Mikhael, Poppy Watson et al.•ARTICLE•Emotion•2021

    This document describes analyses of gaze dwell time on CS+ and CS-distractor stimuli, and latencies of first saccades towards distractors and targets, in Experiments 1 and 2

Art (5 works) · Art history (4 works) · History (4 works) · Aesthetics (3 works) · Classics (3 works) · Computer Science (3 works) · Library science (3 works) · Literature (3 works) · Psychology (3 works) · Beauty (2 works)

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