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W Wolfgang Holdheim

Biographic Data

ID256392
NAMEW Wolfgang Holdheim
GIVEN NAMESW Wolfgang
FAMILY NAMEHoldheim
SIGNATUREHOLDHEIM W W
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS3
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR1989
H-INDEX1
  • Jacques Derrida's Apologia

    W Wolfgang Holdheim•ARTICLE•Critical Inquiry•1989

  • The Hermeneutic Mode

    Virgil Nemoianu, W Wolfgang Holdheim•ARTICLE•Modern Language Notes•1985

  • The Hermeneutic Significance of Auerbach's Ansatz

    W Wolfgang Holdheim•ARTICLE•New Literary History•1985•Cited by: 3

    I WANT TO FOCUS on central notion in Erich Auerbach's critical practice and concomitant theoretical self-reflection: on that concrete and well-defined key problem (often literary passage) which serves him literary-historical analysis. He calls it Ansatz, and no single English term could possibly convey the multifariously refracted shades meaning that the German word (together with its corresponding verb, ansetzen) suggests. Their exhaustive inves…

  • Die Suche nach dem Epos

    Joseph Strelka, W Wolfgang Holdheim•ARTICLE•The German Quarterly•1982

  • The Lessons of Phenomenology

    W Wolfgang Holdheim, Robert Magliola et al.•ARTICLE•diacritics•1979

  • Wilhelm Worringer and the Polarity of Understanding

    W Wolfgang Holdheim•ARTICLE•boundary 2•1979

    ion and Empathy, the young Wilhelm Worringer's doctoral dissertation of 1908, is very much a classic now. Written as a strictly scholarly attempt to correct the one-sidedness of the aesthetics then current, propelled into prominence overnight, it soon found itself in the position of a manifesto heralding the powerful modern trends towards abstract art. The monograph's influence became ever more pervasive and also spread to the Anglo-Saxon world, …

  • Interview

    Hans Robert Jauß, Hans R Jauss et al.•ARTICLE•diacritics•1975

  • Ressentiment

    Herbert Blumer, Max Scheler et al.•ARTICLE•American Sociological Review•1962

  • Ressentiment

    Leonard Carmichael, Max Scheler et al.•ARTICLE•Technology and Culture•1962

  • The Hermeneutic Significance of Auerbach's Ansatz

    W Wolfgang Holdheim•ARTICLE•New Literary History•1985•Cited by: 3

    I WANT TO FOCUS on central notion in Erich Auerbach's critical practice and concomitant theoretical self-reflection: on that concrete and well-defined key problem (often literary passage) which serves him literary-historical analysis. He calls it Ansatz, and no single English term could possibly convey the multifariously refracted shades meaning that the German word (together with its corresponding verb, ansetzen) suggests. Their exhaustive inves…

  • Ressentiment

    Herbert Blumer, Max Scheler et al.•ARTICLE•American Sociological Review•1962

  • Ressentiment

    Leonard Carmichael, Max Scheler et al.•ARTICLE•Technology and Culture•1962

  • Interview

    Hans Robert Jauß, Hans R Jauss et al.•ARTICLE•diacritics•1975

  • The Lessons of Phenomenology

    W Wolfgang Holdheim, Robert Magliola et al.•ARTICLE•diacritics•1979

  • Wilhelm Worringer and the Polarity of Understanding

    W Wolfgang Holdheim•ARTICLE•boundary 2•1979

    ion and Empathy, the young Wilhelm Worringer's doctoral dissertation of 1908, is very much a classic now. Written as a strictly scholarly attempt to correct the one-sidedness of the aesthetics then current, propelled into prominence overnight, it soon found itself in the position of a manifesto heralding the powerful modern trends towards abstract art. The monograph's influence became ever more pervasive and also spread to the Anglo-Saxon world, …

  • Die Suche nach dem Epos

    Joseph Strelka, W Wolfgang Holdheim•ARTICLE•The German Quarterly•1982

  • The Hermeneutic Mode

    Virgil Nemoianu, W Wolfgang Holdheim•ARTICLE•Modern Language Notes•1985

  • The Hermeneutic Significance of Auerbach's Ansatz

    W Wolfgang Holdheim•ARTICLE•New Literary History•1985•Cited by: 3

    I WANT TO FOCUS on central notion in Erich Auerbach's critical practice and concomitant theoretical self-reflection: on that concrete and well-defined key problem (often literary passage) which serves him literary-historical analysis. He calls it Ansatz, and no single English term could possibly convey the multifariously refracted shades meaning that the German word (together with its corresponding verb, ansetzen) suggests. Their exhaustive inves…

  • Jacques Derrida's Apologia

    W Wolfgang Holdheim•ARTICLE•Critical Inquiry•1989

Philosophy (5 works) · Art (3 works) · Epistemology (3 works) · Psychology (3 works) · Sociology (3 works) · Computer Science (2 works) · History (2 works) · Psychoanalysis (2 works) · Aesthetics (1 works) · Ansatz (1 works)

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