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Shauna Butterwick

Biographic Data

ID2572686
NAMEShauna Butterwick
GIVEN NAMESShauna
FAMILY NAMEButterwick
SIGNATUREBUTTERWICK S
AFFILIATIONSUniversity of British Columbia
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS49
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Process and Performance

    Open Access•Shauna Butterwick, Jan Selman•ARTICLE•Art/Research International A…•2025

    In this dialogic exploration of our shared experience of a community-based theatre project (CBT), we consider decisions, processes, and activities we selected to enhance the power of this arts-based research (ABR) form. We chose CBT as we believed it was the best approach to explore activists’ experiences of the challenges of feminist coalition politics within and across equality-seeking organisations. Our dialogues surfaced some key aspects of c…

  • Introduction

    Open Access•Shauna Butterwick, George Head et al.•ARTICLE•European Journal of Educational…•2020

    This special issue of the European Educational Research Journal (EERJ) addresses the issues surrounding current concerns regarding the ethical conduct of research in education. The impetus for ethical regulation of educational research has come from our institutions; therefore, by its very nature it is bureaucratic and often perceived by researchers as obstructive and even unethical. The papers herein tackle these problematic matters by interroga…

  • After the death of a friend

    Open Access•Genevieve Creighton, John L Oliffe et al.•ARTICLE•Social Science & Medicine•2013•Cited by: 17•References: 23

    Young men can have an uncomfortable relationship with grief. Socially constructed masculine ideals dictate that men be stoic in the aftermath of loss, most often expressing their sadness and despair as anger. Perhaps because of alignment to such masculine ideals little research has been done to explore young men's grief--and chronicle the ways they think about loss, their responses and how they go about describing their identities after a tragic …

  • The power of popular education and visual arts for trauma survivors’ critical consciousness and collective action

    Mok Escueta, Shauna Butterwick•ARTICLE•International Journal of Lifelong…•2012•Cited by: 2•References: 7

    How can visual arts and popular education pedagogy contribute to collective recovery from and reconstruction after trauma? This question framed the design and delivery of the Trauma Recovery and Reconstruction Group (TRRG), which consisted of 12 group sessions delivered to clients (trauma survivors) of the Centre for Concurrent Disorders (CCD) in Vancouver, Canada. Data were generated through individual and group interviews, observations (field n…

  • Connectivity and Collectivity in a Doctoral Cohort Program

    Open Access•Shauna Butterwick, Jeanie Cockell et al.•ARTICLE•Alberta Journal of Educational…•2012

    In this critical reflection, four doctoral graduates and one professor, all involved in a cohort-based educational leadership doctoral program, provide narratives about key processes and moments that contributed to building powerful connections and a collective orientation to the groups’ learning and success. Dialogic processes, conscious intention, and naming shared values were established early in the program by the cohort members enabling them…

  • If I Had a Hammer

    Shauna Butterwick, Margaret Hillyard Little•ARTICLE•Canadian Public Policy•2006•Cited by: 1

  • The road to employability through personal development

    Shauna Butterwick, Amanda Benjamin•ARTICLE•International Journal of Lifelong…•2006•Cited by: 1•References: 11

    This paper offers a critical discourse analysis of a life skills career education curriculum for schools in British Columbia, Canada. This curriculum calls for the development of a set of life skills that are positioned as central to students' employability. At the heart of the curriculum is a focus on personal development, in particular, the need for students to develop self understanding and learn from role models how to face and conquer advers…

  • Undone business

    Open Access•Shauna Butterwick, Jane Dawson•ARTICLE•Women s Studies International Forum•2005•Cited by: 23•References: 6

  • Re/searching speaking and listening across difference

    Shauna Butterwick•ARTICLE•International Journal of…•2003•Cited by: 3•References: 7

    This article documents insights that emerged from a feminist community-based research project utilizing popular theatre principles and techniques to explore the politics of feminist coalitions. The embodied and relational aspects of speaking and listening across difference are examined, as are the contributions theatre can make to working creatively with conflict

  • Your Story/My Story/Our Story

    Open Access•Shauna Butterwick•ARTICLE•Alberta Journal of Educational…•2002•Cited by: 2

    Dans cet article, l'auteur presente une approche des modes d'entretien et d'interpretation des donnees qu'elle a pu rencontrer au cours d'un projet de theâtre communautaire feministe faisant appel a la participation du public.

  • Undone business

    Open Access•Shauna Butterwick, Jane Dawson•ARTICLE•Women s Studies International Forum•2005•Cited by: 23•References: 6

  • After the death of a friend

    Open Access•Genevieve Creighton, John L Oliffe et al.•ARTICLE•Social Science & Medicine•2013•Cited by: 17•References: 23

    Young men can have an uncomfortable relationship with grief. Socially constructed masculine ideals dictate that men be stoic in the aftermath of loss, most often expressing their sadness and despair as anger. Perhaps because of alignment to such masculine ideals little research has been done to explore young men's grief--and chronicle the ways they think about loss, their responses and how they go about describing their identities after a tragic …

  • Re/searching speaking and listening across difference

    Shauna Butterwick•ARTICLE•International Journal of…•2003•Cited by: 3•References: 7

    This article documents insights that emerged from a feminist community-based research project utilizing popular theatre principles and techniques to explore the politics of feminist coalitions. The embodied and relational aspects of speaking and listening across difference are examined, as are the contributions theatre can make to working creatively with conflict

  • The power of popular education and visual arts for trauma survivors’ critical consciousness and collective action

    Mok Escueta, Shauna Butterwick•ARTICLE•International Journal of Lifelong…•2012•Cited by: 2•References: 7

    How can visual arts and popular education pedagogy contribute to collective recovery from and reconstruction after trauma? This question framed the design and delivery of the Trauma Recovery and Reconstruction Group (TRRG), which consisted of 12 group sessions delivered to clients (trauma survivors) of the Centre for Concurrent Disorders (CCD) in Vancouver, Canada. Data were generated through individual and group interviews, observations (field n…

  • Your Story/My Story/Our Story

    Open Access•Shauna Butterwick•ARTICLE•Alberta Journal of Educational…•2002•Cited by: 2

    Dans cet article, l'auteur presente une approche des modes d'entretien et d'interpretation des donnees qu'elle a pu rencontrer au cours d'un projet de theâtre communautaire feministe faisant appel a la participation du public.

  • If I Had a Hammer

    Shauna Butterwick, Margaret Hillyard Little•ARTICLE•Canadian Public Policy•2006•Cited by: 1

  • The road to employability through personal development

    Shauna Butterwick, Amanda Benjamin•ARTICLE•International Journal of Lifelong…•2006•Cited by: 1•References: 11

    This paper offers a critical discourse analysis of a life skills career education curriculum for schools in British Columbia, Canada. This curriculum calls for the development of a set of life skills that are positioned as central to students' employability. At the heart of the curriculum is a focus on personal development, in particular, the need for students to develop self understanding and learn from role models how to face and conquer advers…

  • Your Story/My Story/Our Story

    Open Access•Shauna Butterwick•ARTICLE•Alberta Journal of Educational…•2002•Cited by: 2

    Dans cet article, l'auteur presente une approche des modes d'entretien et d'interpretation des donnees qu'elle a pu rencontrer au cours d'un projet de theâtre communautaire feministe faisant appel a la participation du public.

  • Re/searching speaking and listening across difference

    Shauna Butterwick•ARTICLE•International Journal of…•2003•Cited by: 3•References: 7

    This article documents insights that emerged from a feminist community-based research project utilizing popular theatre principles and techniques to explore the politics of feminist coalitions. The embodied and relational aspects of speaking and listening across difference are examined, as are the contributions theatre can make to working creatively with conflict

  • Undone business

    Open Access•Shauna Butterwick, Jane Dawson•ARTICLE•Women s Studies International Forum•2005•Cited by: 23•References: 6

  • If I Had a Hammer

    Shauna Butterwick, Margaret Hillyard Little•ARTICLE•Canadian Public Policy•2006•Cited by: 1

  • The road to employability through personal development

    Shauna Butterwick, Amanda Benjamin•ARTICLE•International Journal of Lifelong…•2006•Cited by: 1•References: 11

    This paper offers a critical discourse analysis of a life skills career education curriculum for schools in British Columbia, Canada. This curriculum calls for the development of a set of life skills that are positioned as central to students' employability. At the heart of the curriculum is a focus on personal development, in particular, the need for students to develop self understanding and learn from role models how to face and conquer advers…

  • The power of popular education and visual arts for trauma survivors’ critical consciousness and collective action

    Mok Escueta, Shauna Butterwick•ARTICLE•International Journal of Lifelong…•2012•Cited by: 2•References: 7

    How can visual arts and popular education pedagogy contribute to collective recovery from and reconstruction after trauma? This question framed the design and delivery of the Trauma Recovery and Reconstruction Group (TRRG), which consisted of 12 group sessions delivered to clients (trauma survivors) of the Centre for Concurrent Disorders (CCD) in Vancouver, Canada. Data were generated through individual and group interviews, observations (field n…

  • Connectivity and Collectivity in a Doctoral Cohort Program

    Open Access•Shauna Butterwick, Jeanie Cockell et al.•ARTICLE•Alberta Journal of Educational…•2012

    In this critical reflection, four doctoral graduates and one professor, all involved in a cohort-based educational leadership doctoral program, provide narratives about key processes and moments that contributed to building powerful connections and a collective orientation to the groups’ learning and success. Dialogic processes, conscious intention, and naming shared values were established early in the program by the cohort members enabling them…

  • After the death of a friend

    Open Access•Genevieve Creighton, John L Oliffe et al.•ARTICLE•Social Science & Medicine•2013•Cited by: 17•References: 23

    Young men can have an uncomfortable relationship with grief. Socially constructed masculine ideals dictate that men be stoic in the aftermath of loss, most often expressing their sadness and despair as anger. Perhaps because of alignment to such masculine ideals little research has been done to explore young men's grief--and chronicle the ways they think about loss, their responses and how they go about describing their identities after a tragic …

  • Introduction

    Open Access•Shauna Butterwick, George Head et al.•ARTICLE•European Journal of Educational…•2020

    This special issue of the European Educational Research Journal (EERJ) addresses the issues surrounding current concerns regarding the ethical conduct of research in education. The impetus for ethical regulation of educational research has come from our institutions; therefore, by its very nature it is bureaucratic and often perceived by researchers as obstructive and even unethical. The papers herein tackle these problematic matters by interroga…

  • Process and Performance

    Open Access•Shauna Butterwick, Jan Selman•ARTICLE•Art/Research International A…•2025

    In this dialogic exploration of our shared experience of a community-based theatre project (CBT), we consider decisions, processes, and activities we selected to enhance the power of this arts-based research (ABR) form. We chose CBT as we believed it was the best approach to explore activists’ experiences of the challenges of feminist coalition politics within and across equality-seeking organisations. Our dialogues surfaced some key aspects of c…

Sociology (7 works) · Pedagogy (4 works) · Political science (4 works) · Psychology (4 works) · Theatre and Performance Studies (4 works) · Gender Studies (3 works) · Gender Studies (3 works) · Law (3 works) · Media studies (3 works) · Politics (3 works)

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