Joseph J Kwiat
Biographic Data
| ID | 260839 |
|---|---|
| NAME | Joseph J Kwiat |
| GIVEN NAMES | Joseph J |
| FAMILY NAME | Kwiat |
| SIGNATURE | KWIAT J J |
| AFFILIATIONS | University of Minnesota System |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 18 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1945 |
| LATEST PUBLICATION YEAR | 1978 |
| H-INDEX | 2 |
The American Painter and Writer's Credo of “Art for Truth's Sake”
The "Ash-Can" School
It is well established that newspaper work served as an invaluable apprentice- ship for the American realist painters who, in the period before the First World War, came to be known as the "Ash-Can" School, the "Revolutionary Black Gang," and "Apostles of Ugliness." Robert Henri was the exception; all the others, John Sloan, Everett Shinn, William J. Glackens, and George Luks, worked as newspaper artists in Philadelphia and New York during their …
Frank Norris
Kindred Spirits
W. D. Howells and Art in His Time
American Tradition in Painting
What is distinctively American about American painting? In American Tradition in Painting, John McCoubrey addresses this question by focusing on essential American qualities that appear not only among the abstract expressionists but also among the earliest colonial portrait painters, who relied on vision rather than technique. Whether discussing early portraits, landscapes, nineteenth-century genre painting, the Ashcan school, or the masters of o…
Spirit of a Free Society
Studies in American Culture
Studies in American Culture
Studies in American Culture
Studies in American Culture
William Page
The Daring Young Men
Painter of the Peaceable Kingdom
Edward Hicks, Painter of the Peaceable Kingdom. By Alice Ford. (Philadelphia: University of Pennsylvania Press, 1952. xvi + 161 pp. Illustrations, bibliography, and index. $8.50.) Get access Joseph J. Kwiat Joseph J. Kwiat University of Minnesota Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 40, Issue 1, June 1953, Pages 133–134, https://doi.org/10.2307/1897563 Published: 01 June 1953
Portraits and Miniatures by Charles Willson Peale
Portraits and Miniatures by Charles Willson Peale. By Charles Coleman Sellers. American Philosophical Society Transactions, Vol. XLII, Pt. I. (Philadelphia: American Philosophical Society, 1952. 369 pp. Bibliography and illustrations. $5.00.) Joseph J. Kwiat Joseph J. Kwiat University of Minnesota Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 39, Issue 3, December 1952, Pages 543–544,…
Stephen Crane and Painting
STEPHEN CRANE, John Berryman flatly states in his recent book,' owes nothing whatever, apparently, to painting. Berryman denies H. G. Wells's claim that the novelist was influenced by painters in his use of color, and he informs us that Crane knew, by the way, few painters-Linson, Jerome Myers, later Ryder; mostly illustrators.2 These statements may be challenged on several counts.3 It is doubtful what Mr. Berryman means by real painters. It is n…
Dreiser and the Graphic Artist
Thoreau's Philosophical Apprenticeship
T HE influence of the Oriental, Greek, German, French, and English types of philosophical idealism in aiding the New England Transcendentalists to react against the popular empiricism of Locke and the threatening skepticism of Hume has been widely recognized.' The possibility, however, of an earlier transitional philosophy to bridge the wide gap between the contrasting philosophies of Locke and Kant, for instance, has never been fully discussed. …
Dreiser and the Graphic Artist
American Tradition in Painting
What is distinctively American about American painting? In American Tradition in Painting, John McCoubrey addresses this question by focusing on essential American qualities that appear not only among the abstract expressionists but also among the earliest colonial portrait painters, who relied on vision rather than technique. Whether discussing early portraits, landscapes, nineteenth-century genre painting, the Ashcan school, or the masters of o…
Stephen Crane and Painting
STEPHEN CRANE, John Berryman flatly states in his recent book,' owes nothing whatever, apparently, to painting. Berryman denies H. G. Wells's claim that the novelist was influenced by painters in his use of color, and he informs us that Crane knew, by the way, few painters-Linson, Jerome Myers, later Ryder; mostly illustrators.2 These statements may be challenged on several counts.3 It is doubtful what Mr. Berryman means by real painters. It is n…
Thoreau's Philosophical Apprenticeship
T HE influence of the Oriental, Greek, German, French, and English types of philosophical idealism in aiding the New England Transcendentalists to react against the popular empiricism of Locke and the threatening skepticism of Hume has been widely recognized.' The possibility, however, of an earlier transitional philosophy to bridge the wide gap between the contrasting philosophies of Locke and Kant, for instance, has never been fully discussed. …
Dreiser and the Graphic Artist
Portraits and Miniatures by Charles Willson Peale
Portraits and Miniatures by Charles Willson Peale. By Charles Coleman Sellers. American Philosophical Society Transactions, Vol. XLII, Pt. I. (Philadelphia: American Philosophical Society, 1952. 369 pp. Bibliography and illustrations. $5.00.) Joseph J. Kwiat Joseph J. Kwiat University of Minnesota Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 39, Issue 3, December 1952, Pages 543–544,…
Stephen Crane and Painting
STEPHEN CRANE, John Berryman flatly states in his recent book,' owes nothing whatever, apparently, to painting. Berryman denies H. G. Wells's claim that the novelist was influenced by painters in his use of color, and he informs us that Crane knew, by the way, few painters-Linson, Jerome Myers, later Ryder; mostly illustrators.2 These statements may be challenged on several counts.3 It is doubtful what Mr. Berryman means by real painters. It is n…
Painter of the Peaceable Kingdom
Edward Hicks, Painter of the Peaceable Kingdom. By Alice Ford. (Philadelphia: University of Pennsylvania Press, 1952. xvi + 161 pp. Illustrations, bibliography, and index. $8.50.) Get access Joseph J. Kwiat Joseph J. Kwiat University of Minnesota Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 40, Issue 1, June 1953, Pages 133–134, https://doi.org/10.2307/1897563 Published: 01 June 1953
The Daring Young Men
William Page
Studies in American Culture
Studies in American Culture
Studies in American Culture
Studies in American Culture
Spirit of a Free Society
American Tradition in Painting
What is distinctively American about American painting? In American Tradition in Painting, John McCoubrey addresses this question by focusing on essential American qualities that appear not only among the abstract expressionists but also among the earliest colonial portrait painters, who relied on vision rather than technique. Whether discussing early portraits, landscapes, nineteenth-century genre painting, the Ashcan school, or the masters of o…
W. D. Howells and Art in His Time
Kindred Spirits
Frank Norris
The "Ash-Can" School
It is well established that newspaper work served as an invaluable apprentice- ship for the American realist painters who, in the period before the First World War, came to be known as the "Ash-Can" School, the "Revolutionary Black Gang," and "Apostles of Ugliness." Robert Henri was the exception; all the others, John Sloan, Everett Shinn, William J. Glackens, and George Luks, worked as newspaper artists in Philadelphia and New York during their …
The American Painter and Writer's Credo of “Art for Truth's Sake”
Art (15 works) · History (10 works) · Art history (9 works) · Sociology (7 works) · Painting (5 works) · Philosophy (5 works) · History (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Visual Culture and Art Theory (3 works)