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Stephen Crane and Painting

Bibliographic Data

ID2732545
AuthorsJoseph J Kwiat (corresponding author)
Year1952
Volume4
Issue4
Pages331
Publication date1952-01-01
Open AccessYes
TypeARTICLE
VenueAmerican Quarterly (JOURNAL)
Journal identifiersISSN: 0003-0678 • E-ISSN: 1080-6490
PublisherJSTOR (PUBLISHER)
DOI10.2307/3031417
OpenAlexW2325842668
LanguageEN
Citations received4

STEPHEN CRANE, John Berryman flatly states in his recent book,' owes nothing whatever, apparently, to painting. Berryman denies H. G. Wells's claim that the novelist was influenced by painters in his use of color, and he informs us that Crane knew, by the way, few painters-Linson, Jerome Myers, later Ryder; mostly illustrators.2 These statements may be challenged on several counts.3 It is doubtful what Mr. Berryman means by real painters. It is not possible to differentiate sharply between painters and illustrators in that period; Corwin K. Linson, for example, was an illustrator as well as a painter. And it is not clear what Berryman's general sources are or how much information he possesses concerning Crane's knowledge of Myers and Ryder. There is evidence, however, that Crane knew graphic artists very early in his career and that this experience was reflected in his newspaper writings in two ways: in his utilization of the image of the artist as subject and in his painterly stylistic devices. Crane, furthermore, discussed how important it was for the writer to be honest and independent, and he associated these attitudes with graphic artists and with the problems of what he considered to be a closely allied art form. Finally, Crane explicitly compared his own general literary intentions with the technical and philosophical implications of what the French Impressionists, as he conceived them, were attempting in color

Art · Art history · Painting · Visual arts · Photography and Visual Culture · Visual Culture and Art Theory

  • Unresolved conflicts and suspended ethics

    Mengni Kang•Frontiers of Narrative Studies•2023

  • The Tower of Babel and the Skyscrapers in Stephen Crane's “An Experiment in Misery”

    Michael Tritt•ANQ A Quarterly Journal of Short…•2003

  • The "Ash-Can" School

    Joseph J Kwiat•Canadian Review of American Studies•1976

  • The Literary Development of Stephen Crane

    James B Colvert, James Colvert•1954

Citations per year0.06
Citation span1954 - 2023 (70)
Highly citedNo

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