Gérard Genette
Dados Biográficos
| ID | 268264 |
|---|---|
| NOME | Gérard Genette |
| PRENOMES | Gérard |
| SOBRENOME | Genette |
| ASSINATURA | GENETTE G |
| AFILIAÇÕES | École des Hautes Études en Santé Publique |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 41 |
| TOTAL DE CITAÇÕES | 99 |
| TOTAL COMO AUTOR | 41 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1966 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 5 |
« La mort de Marcel », un inédit de Bergotte
Tõenäolisus ja motivatsioon
Die Erzählung
Genettes „Diskurs der Erzählung“ ist die theoretisch anspruchsvollste, ausgewogenste und kohärenteste, – zugleich aber auch eine hochgradig „praktikable“ Theorie der literarischen Erzählung und insofern ein „Studienbuch“ im besten Sinn des Wortes. Dieses Werk, schreibt Jonathan Culler, „ist unschätzbar, weil es den dringenden Bedarf einer systematischen Theorie der Erzählung befriedigt." Als bislang gründlichster Versuch, die Grundlagen und Techn…
Évocation
Metonymi hos Proust
Fraværet af den bestemte artikel i Metonymi indeholder en mening, som det måske vil være passende at røbe: det drejer sig rigtigt nok her om et egennavn, og man ser straks af hvilken slags. Man siger ‘Metonymi hos Proust’ som man ville sige ‘Polymni hos Pindar’ eller ‘Clio hos Tacitus’, eller rettere ‘Polymni hos Tacitus’ og ‘Clio hos Pindar’, for så vidt som en gudinde ville kunne tage fejl af døren: blot en visit, men dog ikke uden konsekvens
Palimpseste
Le genre comme œuvre
Genre as a Work of Art Generic theory, as illustrated by Aristotle and Hegel, treats genre as a work of art and the work of art in terms of its genre, thereby showing a porosity between the categories of which French classical aesthetics is the best illustration - a fact rarely even seen, let alone understood
Du texte à l'œuvre
L’œuvre de l’art, la relation esthétique
Le premier tome de L’Œuvre de l’art portait sur les « modes d’existence » des œuvres d’art, le second traite de la relation artistique. Une même œuvre d’art peut connaître plusieurs états, et chacun d’eux peut susciter plusieurs types de réception : on ne reçoit jamais deux fois le même tableau, le même poème, la même symphonie. Le caractère actif de cet accueil suppose chez le récepteur une attitude particulière qu’on peut appeler l’attention es…
Gérard Genette Paratexts
Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of …
One of My Favourite Writers
L’œuvre de l’art, immanence et transcendance
Les œuvres d’art revêtent deux modes d’existence, qui sont l’immanence et la transcendance. L’immanence est définie par le type d’objet en lequel l’œuvre « consiste », et se distribue ainsi en deux régimes, baptisés depuis Nelson Goodman l’autobiographique et l’allographique. Dans le premier, l’objet d’immanence (un tableau, une sculpture, une performance) est matériel et se manifeste de lui-même. Dans le second, cet objet (un texte littéraire, u…
The Gender and Genre of Reverie
Introduction to the Paratext
HE LITERARY WORK consists, exhaustively or essentially, of a text, that is to say (a very minimal definition) in a more or less lengthy sequence of verbal utterances more or less containing meaning. But this text rarely appears in its naked state, without reinforcement and accompaniment of a certain number of productions, themselves verbal or not, like an author's name, a title, a preface, illustrations. One does not always know if one should con…
Fictional Narrative, Factual Narrative
If words have meaning (or even multiple meanings), then narratology-whether in its formal aspect, as the study of narrative discourse, or its thematic aspect, as the analysis of the sequences of events and actions related by this discourse-ought by rights to concern itself with stories of all kinds, fictional and otherwise. It is evident, however, that the two branches of narratology have until now devoted their attention almost exclusively to th…
The Proustian Paratexte
By the word paratext, I mean all of the marginal or supplementary data around the text. It comprises what one could call various thresholds: authorial and editorial (i.e., titles, insertions, dedications, epigraphs, prefaces and notes); media related (i.e., interviews with the author, official summaries) and private (i.e., correspondence, calculated or non-calculated disclosures), as well as those related to the material means of production and r…
Structure and Functions of the Title in Literature
Seuils
Seuils
Tell-Tale Theories
Comment parler de la littérature
Palimpsestes
Nouveau Discours du recit
Palimpsestes. La litterature au second degre
Nouveau discours du recit
Fictional Narrative, Factual Narrative
If words have meaning (or even multiple meanings), then narratology-whether in its formal aspect, as the study of narrative discourse, or its thematic aspect, as the analysis of the sequences of events and actions related by this discourse-ought by rights to concern itself with stories of all kinds, fictional and otherwise. It is evident, however, that the two branches of narratology have until now devoted their attention almost exclusively to th…
Introduction to the Paratext
HE LITERARY WORK consists, exhaustively or essentially, of a text, that is to say (a very minimal definition) in a more or less lengthy sequence of verbal utterances more or less containing meaning. But this text rarely appears in its naked state, without reinforcement and accompaniment of a certain number of productions, themselves verbal or not, like an author's name, a title, a preface, illustrations. One does not always know if one should con…
Nouveau discours du recit
Frontières du récit
Genette Gérard. Frontières du récit. In: Communications, 8, 1966. Recherches sémiologiques : l'analyse structurale du récit. pp. 152-163
Vraisemblance et motivation
Genette Gérard. Vraisemblance et motivation. In: Communications, 11, 1968. Recherches sémiologiques le vraisemblable. pp. 5-21
Structure and Functions of the Title in Literature
La rhétorique restreinte
Genette Gérard. La rhétorique restreinte. In: Communications, 16, 1970. Recherches rhétoriques. pp. 158-171
Palimpsestes. La litterature au second degre
Boundaries of Narrative
WITHIN THE SPHERE OF LITERATURE, narrative' may be defined simply as the representation of a real or fictitious event or series of events by language, and more specifically by written language. This common formal definition has the merit of being obvious and simple. Perhaps its principal drawback is precisely that it encloses itself and us within the evidence. This definition masks that which in the very being of narrative creates problems and di…
Du texte à l'œuvre
The Proustian Paratexte
By the word paratext, I mean all of the marginal or supplementary data around the text. It comprises what one could call various thresholds: authorial and editorial (i.e., titles, insertions, dedications, epigraphs, prefaces and notes); media related (i.e., interviews with the author, official summaries) and private (i.e., correspondence, calculated or non-calculated disclosures), as well as those related to the material means of production and r…
Seuils
Comment parler de la littérature
Frontières du récit
Genette Gérard. Frontières du récit. In: Communications, 8, 1966. Recherches sémiologiques : l'analyse structurale du récit. pp. 152-163
Enseignement et rhétorique au XXe siècle
On trouve dans la Correspondance de Flaubert1 cette devinette qui a dû amuser, au XVIIIe et au XIXe siècle, plusieurs générations de collégiens, et qui n'aurait aujourd'hui aucune chance d'être comprise dans aucune classe : ' Quel est le personnage de Molière qui ressemble à une figure de rhétorique ? - C'est Alceste, parce qu'il est mis en trope. ' Quel bachelier sait aujourd'hui ce qu'est un trope ?Cette distance qui sépare l'enseignement litté…
Le jour, la nuit
Genette Gérard. Le jour, la nuit. In: Langages, 3e année, n°12, 1968. Linguistique et littérature, sous la direction de Roland Barthes. pp. 28-42
Vraisemblance et motivation
Genette Gérard. Vraisemblance et motivation. In: Communications, 11, 1968. Recherches sémiologiques le vraisemblable. pp. 5-21
Langage poétique, poétique du langage
L'approche de divers systèmes signifiants à l'aide d'un modèle sémio tique élaboré, en principe, à partir du langage déllotatif de la communica tion, pose le problème de la formalisation de certains aspects des systèmes signifiants qui ne correspondent pas aux structures saisissables par le modèle linguistique usuel. C'est à ce stade de la recherche que la sémiologie, suivant la démarche de la philosophie la plus traditionnelle, introduit la dist…
Structures narratives de « Moyse sauvé »
Au deuxime chapitre de l'Exode, le rcit de l'exposition de Mose et de son adoption par la fille de Pharaon tient en quelques lignes. Sur ce bref argument, Saint-Amant compose une idylle hroque de quelque six mille vers. Il est donc lgitime de considrer ce Moyse sauv comme un exercice d'amplification et de l'tudier comme tel : le sujet est emprunt et son analyse mettrait davantage en cause le texte biblique que celui de Saint-Amant ; c'est donc l'…
The reverse side of the sign
La rhétorique restreinte
Genette Gérard. La rhétorique restreinte. In: Communications, 16, 1970. Recherches rhétoriques. pp. 158-171
Valery et la poetique du Langage
Le désert et sa langue
Pour Renan comme pour tant d’autres, l’avènement de la « philologie comparée » périme sans retour l’ensemble des discussions antérieures sur l’origine et la nature du langage : « A partir du jour où la science des langues fut devenue une des sciences de la vie, le problème des origines du langage se trouva transporté sur son véritable terrain, sur le terrain de la conscience créatrice. Sa génération resta toujours mystérieuse ; mais on vit du moi…
Boundaries of Narrative
WITHIN THE SPHERE OF LITERATURE, narrative' may be defined simply as the representation of a real or fictitious event or series of events by language, and more specifically by written language. This common formal definition has the merit of being obvious and simple. Perhaps its principal drawback is precisely that it encloses itself and us within the evidence. This definition masks that which in the very being of narrative creates problems and di…
Narrative Discourse
Genette uses Proust's Remembrance of Things Past as a work to identify and name the basic constituents and techniques of narrative. Genette illustrates the examples by referring to other literary works. His systemic theory of narrative deals with the structure of fiction, including fictional devices that go unnoticed and whose implications fulfill the Western narrative tradition.
Narrative Discourse, an Essay in Method
Introduction a l'architexte
Cratylus' Kingdom
Humour in the Works of Proust
Palimpsestes. La litterature au second degre
Nouveau discours du recit
Palimpsestes
Nouveau Discours du recit
Comment parler de la littérature
Tell-Tale Theories
Seuils
Seuils
The Proustian Paratexte
By the word paratext, I mean all of the marginal or supplementary data around the text. It comprises what one could call various thresholds: authorial and editorial (i.e., titles, insertions, dedications, epigraphs, prefaces and notes); media related (i.e., interviews with the author, official summaries) and private (i.e., correspondence, calculated or non-calculated disclosures), as well as those related to the material means of production and r…
Art (21 obras) · Philosophy (18 obras) · Linguistics and Discourse Analysis (10 obras) · Humanities (9 obras) · Literature (9 obras) · Historical and Literary Analyses (7 obras) · Historical and Literary Studies (7 obras) · French Urban and Social Studies (6 obras) · History (6 obras) · Psychology (6 obras)