Žanna Pärtlas
Biographic Data
| ID | 276691 |
|---|---|
| NAME | Žanna Pärtlas |
| GIVEN NAMES | Žanna |
| FAMILY NAME | Pärtlas |
| SIGNATURE | PÄRTLAS Ž |
| AFFILIATIONS | Estonian Academy of Music and Theatre |
| ORCID | 0009-0008-2998-1814 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
From Lament to Lamenting Song
The distinctive ancient culture of the Seto (south-eastern Estonia) is of special interest, among other things, for its rich lament tradition which survived until the recent past. Unlike the laments of other Balto-Finnic peoples, which are an exclusively solo genre, some Seto laments - all the bridal laments and the funeral laments for a deceased maiden - are performed by a group of lamenters as a kind of polyphonic lamenting song. The unusual pr…
On the Relict Scales and Melodic Structures in the Seto Shepherd Tune Kar'ahääl
Our knowledge of the past is inevitably fragmentary, especially if we speak about such an 'immaterial' subject as music.The only possibility to unveil the sounds of the past is to 'excavate' information from contemporary performances, archival sound recordings, and musical transcriptions.Some older musical genres that preserved their ancient features until the era of sound recording provide the best opportunities for the research of the tradition…
From Lament to Lamenting Song
The distinctive ancient culture of the Seto (south-eastern Estonia) is of special interest, among other things, for its rich lament tradition which survived until the recent past. Unlike the laments of other Balto-Finnic peoples, which are an exclusively solo genre, some Seto laments - all the bridal laments and the funeral laments for a deceased maiden - are performed by a group of lamenters as a kind of polyphonic lamenting song. The unusual pr…
On the Relict Scales and Melodic Structures in the Seto Shepherd Tune Kar'ahääl
Our knowledge of the past is inevitably fragmentary, especially if we speak about such an 'immaterial' subject as music.The only possibility to unveil the sounds of the past is to 'excavate' information from contemporary performances, archival sound recordings, and musical transcriptions.Some older musical genres that preserved their ancient features until the era of sound recording provide the best opportunities for the research of the tradition…
On the Relict Scales and Melodic Structures in the Seto Shepherd Tune Kar'ahääl
Our knowledge of the past is inevitably fragmentary, especially if we speak about such an 'immaterial' subject as music.The only possibility to unveil the sounds of the past is to 'excavate' information from contemporary performances, archival sound recordings, and musical transcriptions.Some older musical genres that preserved their ancient features until the era of sound recording provide the best opportunities for the research of the tradition…
From Lament to Lamenting Song
The distinctive ancient culture of the Seto (south-eastern Estonia) is of special interest, among other things, for its rich lament tradition which survived until the recent past. Unlike the laments of other Balto-Finnic peoples, which are an exclusively solo genre, some Seto laments - all the bridal laments and the funeral laments for a deceased maiden - are performed by a group of lamenters as a kind of polyphonic lamenting song. The unusual pr…
Art (2 works) · Literature (2 works) · Asian Studies and History (1 works) · Choir (1 works) · Communication (1 works) · Computer Science (1 works) · Diverse Musicological Studies (1 works) · Expression (computer science) (1 works) · Geography (1 works) · Lament (1 works)