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From Lament to Lamenting Song

Musical Models, Meanings and Expression in Seto Solo and Choral Funeral Laments

Bibliographic Data

ID2988935
AuthorsŽanna Pärtlas (0009-0008-2998-1814, Estonian Academy of Music and Theatre, corresponding author)
Year2025
Volume19
Issue1
Pages91-124
Publication date2025-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Ethnology and Folkloristics (JOURNAL)
Journal identifiersISSN: 1736-6518 • E-ISSN: 2228-0987
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.2478/jef-2025-0006
OpenAlexW4411786202
LanguageEN
Citations received1
References cited10

The distinctive ancient culture of the Seto (south-eastern Estonia) is of special interest, among other things, for its rich lament tradition which survived until the recent past. Unlike the laments of other Balto-Finnic peoples, which are an exclusively solo genre, some Seto laments - all the bridal laments and the funeral laments for a deceased maiden - are performed by a group of lamenters as a kind of polyphonic lamenting song. The unusual practice of choral lamentation raises important questions about the functions and meanings of laments in traditional culture, the specificity of the lament genre as a form of expressive behaviour, and the relationship between the genres of lament and song in Seto culture. This article explores these and some other questions by means of musical analysis of Seto lament tunes and attempts to place the Seto lament tradition in the context of the laments of linguistically and geographically related peoples

Art · Choir · Expression (computer science) · Lament · Literature · Musical · Musical expression · Visual arts · Asian Studies and History · Communication · Computer Science · Psychology

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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