Shane Denson
Biographic Data
| ID | 279003 |
|---|---|
| NAME | Shane Denson |
| GIVEN NAMES | Shane |
| FAMILY NAME | Denson |
| SIGNATURE | DENSON S |
| ORCID | 0009-0005-4638-7700 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Interfaces anthropotechniques
Cet entretien a été conçu pour présenter l’idée d’ interface anthropotechnique , notion qui apparaît comme sous-titre de l’ouvrage Postnaturalism (2014). Ce terme constitue le fil rouge qui se prolonge à travers la trilogie que Shane Denson clôt avec Discorrelated Images (2020) et Post-Cinematic Bodies (2023). Ces trois ouvrages étudient le devenir post-phénoménologique des médias algorithmiques, à travers l’analyse des temporalités et des expéri…
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
From sublime awe to abject cringe
This article urges a reorientation in thinking about AI art (and AI more generally), shifting from the common focus on computational ‘intelligence’ to the embodied, metabolic processing that takes place in our encounters with (moving-image) artworks produced with machine-learning algorithms. Drawing on Merleau-Ponty’s corporeal phenomenology, the article argues that spectators’ bodies act as filters, distilling visual phenomena from a range of ex…
The New Seriality
Since at least the nineteenth century seriality and serialization have been among the most important formal and narrative strategies for popular media cultures and their negotiations with the radical changes brought on by industrialization and new communication technologies. Nothing less is at stake in popular seriality than the material and spatiotemporal ordering of the phenomenal world, with far-reaching political consequences. However, in an …
Postnaturalism
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies…
Grenzgänger
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Grenzgänger
Postnaturalism
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies…
From sublime awe to abject cringe
This article urges a reorientation in thinking about AI art (and AI more generally), shifting from the common focus on computational ‘intelligence’ to the embodied, metabolic processing that takes place in our encounters with (moving-image) artworks produced with machine-learning algorithms. Drawing on Merleau-Ponty’s corporeal phenomenology, the article argues that spectators’ bodies act as filters, distilling visual phenomena from a range of ex…
The New Seriality
Since at least the nineteenth century seriality and serialization have been among the most important formal and narrative strategies for popular media cultures and their negotiations with the radical changes brought on by industrialization and new communication technologies. Nothing less is at stake in popular seriality than the material and spatiotemporal ordering of the phenomenal world, with far-reaching political consequences. However, in an …
Technics
The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…
Interfaces anthropotechniques
Cet entretien a été conçu pour présenter l’idée d’ interface anthropotechnique , notion qui apparaît comme sous-titre de l’ouvrage Postnaturalism (2014). Ce terme constitue le fil rouge qui se prolonge à travers la trilogie que Shane Denson clôt avec Discorrelated Images (2020) et Post-Cinematic Bodies (2023). Ces trois ouvrages étudient le devenir post-phénoménologique des médias algorithmiques, à travers l’analyse des temporalités et des expéri…
Philosophy (4 works) · Aesthetics (3 works) · Art (3 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Epistemology (3 works) · Digital Media and Philosophy (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works)