Postnaturalism
Frankenstein, Film, and the Anthropotechnical Interface
Bibliographic Data
| ID | 19940919 |
|---|---|
| Authors | Shane Denson (0009-0005-4638-7700, corresponding author), Mark B N Hansen |
| Year | 2014 |
| Publication date | 2014-07-15 |
| Open Access | No |
| Type | BOOK |
| Venue | Postnaturalism (SOURCE_BOOK) |
| Publisher | Transcript Verlag (PUBLISHER • DE) |
| DOI | 10.14361/transcript.9783839428177 |
| OpenAlex | W2506188666 |
| Open Library | OL28560744M |
| ISBN | 9783839428177 |
| Language | EN |
| Citations received | 6 |
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen
Aesthetics · Archaeology · Art · Epistemology · Experiential learning · Film studies · Film theory · Literature · Movie theater · Narrative · Political science · Realm · Situated · Sociology · Cinema and Media Studies · Computer Science · Gothic Literature and Media Analysis · History · Philosophy · Frankenstein (Motion picture) · Frankenstein films · History and criticism · Phenomenological anthropology
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2018 - 2025 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |