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Irène Assiba D’almeida

Biographic Data

ID2914343
NAMEIrène Assiba D’almeida
GIVEN NAMESIrène Assiba
FAMILY NAMED’almeida
SIGNATURED’ALMEIDA I A
AFFILIATIONSUniversity of Arizona
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS16
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2019
H-INDEX1
  • The tenor of his voice

    Irène Assiba D’almeida•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This is a three-part part article on the role Abiola Irele played in the Francophone world. First, Abiola Irele is presented as a Renaissance intellectual, someone who, as a “passeur” as defined by Tzvetan Todorov, was involved in many areas of knowledge, someone who crossed the boundaries of language and culture and helped other scholars to do so. Secondly, the article engages in metacriticism with an analysis of some of Abiola Irele’s essays on…

  • The Original Explosion That Created Worlds

    John Conteh-Morgan, Irène Assiba D’almeida et al.•BOOK•The Original Explosion That…•2010•Cited by: 1

    “The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Se…

  • Le Festac (Festival des Arts et de la Culture noire) et les conceptions culturelles d'Alioune Diop, témoignage personnel et analyse

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•2010

  • L'écriture féminine en Afrique noire francophone

    Open Access•Irène Assiba D''Almeida, Irène Assiba D’almeida et al.•ARTICLE•Études littéraires•2005

    Dans une perspective de périodisation, l'écriture féminine en Afrique francophone se prête à une schématisation structurale qui laisse percevoir trois temps paradigmatiques : l'écriture miroir, ou écriture autobiographique; l'écriture domestique qui remet en question la place de la femme au sein de la famille; et enfin, troisième période, l'écriture sociétale qui jette un regard critique sur les sociétés africaines

  • Les élites noires face au phénomène de la mondialisation

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•2003

  • Francophone African Women Writers

    Karen Gould, Irène Assiba D’almeida et al.•ARTICLE•Tulsa Studies in Women s Literature•1998

  • Francophone African Women Writers

    Odile Cazenave, Irene D''Almeida et al.•ARTICLE•African Studies Review•1996

  • Francophone African Women Writers

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • Literary Translation

    Open Access•Irène Assiba D’almeida, Irène Assiba D'Almeida•ARTICLE•Meta Journal des traducteurs•1982

  • The meaning and status of international studies in west-African schools

    Irène Assiba D''Almeida, Irène Assiba D’almeida et al.•ARTICLE•Theory Into Practice•1982•Cited by: 1

    1982). The meaning and status of international studies in west‐African schools. Theory Into Practice: Vol. 21, Global Education, pp. 193-199

  • From Social Commitment to Ideological Awareness

    Irène Assiba D’almeida, Irène Assiba D'Almeida•ARTICLE•Ufahamu A Journal of African…•1981

    No abstract

  • The Language of African Fiction

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•1981•Cited by: 1

  • Francophone African Women Writers

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • The tenor of his voice

    Irène Assiba D’almeida•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This is a three-part part article on the role Abiola Irele played in the Francophone world. First, Abiola Irele is presented as a Renaissance intellectual, someone who, as a “passeur” as defined by Tzvetan Todorov, was involved in many areas of knowledge, someone who crossed the boundaries of language and culture and helped other scholars to do so. Secondly, the article engages in metacriticism with an analysis of some of Abiola Irele’s essays on…

  • The Original Explosion That Created Worlds

    John Conteh-Morgan, Irène Assiba D’almeida et al.•BOOK•The Original Explosion That…•2010•Cited by: 1

    “The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Se…

  • The meaning and status of international studies in west-African schools

    Irène Assiba D''Almeida, Irène Assiba D’almeida et al.•ARTICLE•Theory Into Practice•1982•Cited by: 1

    1982). The meaning and status of international studies in west‐African schools. Theory Into Practice: Vol. 21, Global Education, pp. 193-199

  • The Language of African Fiction

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•1981•Cited by: 1

  • From Social Commitment to Ideological Awareness

    Irène Assiba D’almeida, Irène Assiba D'Almeida•ARTICLE•Ufahamu A Journal of African…•1981

    No abstract

  • The Language of African Fiction

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•1981•Cited by: 1

  • Literary Translation

    Open Access•Irène Assiba D’almeida, Irène Assiba D'Almeida•ARTICLE•Meta Journal des traducteurs•1982

  • The meaning and status of international studies in west-African schools

    Irène Assiba D''Almeida, Irène Assiba D’almeida et al.•ARTICLE•Theory Into Practice•1982•Cited by: 1

    1982). The meaning and status of international studies in west‐African schools. Theory Into Practice: Vol. 21, Global Education, pp. 193-199

  • Francophone African Women Writers

    C Zabus, Irène Assiba D’almeida et al.•ARTICLE•World Literature Today•1995•Cited by: 12

    French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature. Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '…

  • Francophone African Women Writers

    Odile Cazenave, Irene D''Almeida et al.•ARTICLE•African Studies Review•1996

  • Francophone African Women Writers

    Karen Gould, Irène Assiba D’almeida et al.•ARTICLE•Tulsa Studies in Women s Literature•1998

  • Les élites noires face au phénomène de la mondialisation

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•2003

  • L'écriture féminine en Afrique noire francophone

    Open Access•Irène Assiba D''Almeida, Irène Assiba D’almeida et al.•ARTICLE•Études littéraires•2005

    Dans une perspective de périodisation, l'écriture féminine en Afrique francophone se prête à une schématisation structurale qui laisse percevoir trois temps paradigmatiques : l'écriture miroir, ou écriture autobiographique; l'écriture domestique qui remet en question la place de la femme au sein de la famille; et enfin, troisième période, l'écriture sociétale qui jette un regard critique sur les sociétés africaines

  • The Original Explosion That Created Worlds

    John Conteh-Morgan, Irène Assiba D’almeida et al.•BOOK•The Original Explosion That…•2010•Cited by: 1

    “The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Se…

  • Le Festac (Festival des Arts et de la Culture noire) et les conceptions culturelles d'Alioune Diop, témoignage personnel et analyse

    Irène Assiba D’almeida•ARTICLE•Présence Africaine•2010

  • The tenor of his voice

    Irène Assiba D’almeida•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This is a three-part part article on the role Abiola Irele played in the Francophone world. First, Abiola Irele is presented as a Renaissance intellectual, someone who, as a “passeur” as defined by Tzvetan Todorov, was involved in many areas of knowledge, someone who crossed the boundaries of language and culture and helped other scholars to do so. Secondly, the article engages in metacriticism with an analysis of some of Abiola Irele’s essays on…

Art (10 works) · African history and culture studies (9 works) · Sociology (8 works) · Philosophy (6 works) · Aesthetics (5 works) · History (5 works) · Philosophy (5 works) · Caribbean and African Literature and Culture (4 works) · French (4 works) · History (4 works)

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