Hazel Collie
Biographic Data
| ID | 3042871 |
|---|---|
| NAME | Hazel Collie |
| GIVEN NAMES | Hazel |
| FAMILY NAME | Collie |
| SIGNATURE | COLLIE H |
| AFFILIATIONS | Birmingham City University |
| ORCID | 0000-0001-8987-9434 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1922 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Assume the position
Season 10 marked a decade of RPDR, with RuPaul and other celebrities framing the show as a worldwide phenomenon promoting love, inclusivity, acceptance and Drag. This aspect of RPDR is foregrounded in much existing scholarship on the reality show which considers the inclusivity and visibility that it offers. Although RPDR brings an area of gay culture and history into the mainstream, we argue that the Queen and Herstory that is promoted and valid…
It's Just So Hard to Bring It to Mind
Memory is theorised as constructive and unreliable, while television has been characterised as forgettable and guilty of undermining memory. In a recent series of oral history interviews I asked British women of different generations to tell me their memories of television in the period 1947 to 1989. This article presents some of their memories to demonstrate how, far from undermining memory, television is used a type of memory text for particula…
Researching the History of Television for Women in Britain, 1947–1989
This report details the aims, methodology and selected findings of the Arts and Humanities Research Council (AHRC)-funded project ‘A History of Television for Women in Britain, 1947–1989’, running between 2010 and 2013 at the University of Warwick and De Montfort University. Here, we consider the difficulties of conducting historical television research and the ways in which we have tried to use a method which is attentive to production research,…
The weekend starts here
Journal Article ‘The weekend starts here’: young women, pop music television and identity Get access Hazel Collie, Hazel Collie [email protected] Search for other works by this author on: Oxford Academic Google Scholar Mary Irwin Mary Irwin Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 54, Issue 2, Summer 2013, Pages 262–269, https://doi.org/10.1093/screen/hjt016 Published: 01 June 2013
Mount Everest
that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a
Assume the position
Season 10 marked a decade of RPDR, with RuPaul and other celebrities framing the show as a worldwide phenomenon promoting love, inclusivity, acceptance and Drag. This aspect of RPDR is foregrounded in much existing scholarship on the reality show which considers the inclusivity and visibility that it offers. Although RPDR brings an area of gay culture and history into the mainstream, we argue that the Queen and Herstory that is promoted and valid…
Researching the History of Television for Women in Britain, 1947–1989
This report details the aims, methodology and selected findings of the Arts and Humanities Research Council (AHRC)-funded project ‘A History of Television for Women in Britain, 1947–1989’, running between 2010 and 2013 at the University of Warwick and De Montfort University. Here, we consider the difficulties of conducting historical television research and the ways in which we have tried to use a method which is attentive to production research,…
Mount Everest
that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a
It's Just So Hard to Bring It to Mind
Memory is theorised as constructive and unreliable, while television has been characterised as forgettable and guilty of undermining memory. In a recent series of oral history interviews I asked British women of different generations to tell me their memories of television in the period 1947 to 1989. This article presents some of their memories to demonstrate how, far from undermining memory, television is used a type of memory text for particula…
Researching the History of Television for Women in Britain, 1947–1989
This report details the aims, methodology and selected findings of the Arts and Humanities Research Council (AHRC)-funded project ‘A History of Television for Women in Britain, 1947–1989’, running between 2010 and 2013 at the University of Warwick and De Montfort University. Here, we consider the difficulties of conducting historical television research and the ways in which we have tried to use a method which is attentive to production research,…
The weekend starts here
Journal Article ‘The weekend starts here’: young women, pop music television and identity Get access Hazel Collie, Hazel Collie [email protected] Search for other works by this author on: Oxford Academic Google Scholar Mary Irwin Mary Irwin Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 54, Issue 2, Summer 2013, Pages 262–269, https://doi.org/10.1093/screen/hjt016 Published: 01 June 2013
Assume the position
Season 10 marked a decade of RPDR, with RuPaul and other celebrities framing the show as a worldwide phenomenon promoting love, inclusivity, acceptance and Drag. This aspect of RPDR is foregrounded in much existing scholarship on the reality show which considers the inclusivity and visibility that it offers. Although RPDR brings an area of gay culture and history into the mainstream, we argue that the Queen and Herstory that is promoted and valid…
Art (4 works) · History (4 works) · Media studies (4 works) · Sociology (4 works) · Aesthetics (3 works) · Gender, Feminism, and Media (3 works) · History (3 works) · Computer Science (2 works) · Gender Studies (2 works) · Visual arts (2 works)