Heidi Keinonen
Biographic Data
| ID | 3047167 |
|---|---|
| NAME | Heidi Keinonen |
| GIVEN NAMES | Heidi |
| FAMILY NAME | Keinonen |
| SIGNATURE | KEINONEN H |
| AFFILIATIONS | University of Turku |
| ORCID | 0000-0003-1944-4894 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
‘Being a drama producer is not in the least artistic work’ – Adopting streaming production culture at the Finnish public service broadcaster
Since the early 2010s, the emergence of global streaming platforms has introduced new strategies and practices in the production of drama series. The new paradigm, here titled as streaming production culture, has penetrated even the so-called legacy television companies, such as Nordic public service broadcasters. This article seeks to establish streaming production culture as an analytical concept that brings together two recent transformations …
Transnational Histories of Radio Genres: The Formation and Development of Serial Radio Fiction in Finland
While public service broadcasters are typically regarded as national institutions, their histories are profoundly transnational. Ideas, programmes, and models have crossed national borders since the earliest days of radio transmission. Yet the transnational histories of radio genres have remained largely unexplored. This article seeks to address that gap by analysing the formation and development of three serial fiction genres—family drama, crime…
Mikä erottaa Netflixin lineaarisesta televisiosta
Arviossa: Lotz, Amanda D. 2022. Netflix and Streaming Video. The Business of Subscriber-Funded Video on Demand. Cambridge: Polity Press, 208 s
Nordic noir taipuu erilaisiin tarpeisiin: Linda Badley, Andrew Nestingen ja Jaakko Seppälä (toim.) (2020) Nordic Noir, Adaptation, Appropriation
The power of the format catalogue: How global institutional structures determine television production in a small national market
While the international flows of media content and the emergence of global media giants have gained extensive scholarly attention, their implications for national television production remain understudied. The article addresses the question of how the concentration of ownership and transnational flows involved in global media industries determine television production in a small national market. By analysing the structures, practices and agencies…
Television format as cultural technology transfer: Importing a production format for daily drama
Since the 1990s, TV formats have become an essential part of the global trade on television programmes. While many of the most popular television programmes today are format adaptations, theorisations on television formats have remained few. This article introduces production format as a specific type of television format. While television formats usually trade both programme content and a mode of production, production format solely contains inf…
From Public Service Broadcasting to Soci(et)al TV: Producers’ Perceptions of Interactivity and Audience Participation in Finland and Israel
In a changing media environment, television is being transformed by the adoption of practices such as audience participation and interactivity. This article analyses the ways in which managers and producers in Finnish and Israeli public service and hybrid television companies perceive participation and interactivity. We suggest that while these concepts can be described by hybrid broadcasters using the technologically- and commercially-oriented c…
The Duality of Banal Transnationalism and Banal Nationalism: Television Audiences and the Musical Talent Competition Genre
Television Format as Cultural Negotiation: Studying Format Appropriation through a Synthesizing Approach
Despite the growing number of publications on television formats, specific theorisations regarding formats and format adaptation, in particular, are still rare. In this article, I introduce a synthesizing approach for studying format appropriation. Drawing on format study, media industry research and structuration theory, I suggest that television formats should be understood and studied as a process of cultural negotiation in which global influe…
Early Commercial Television in Finland: Balancing between East and West
The establishment of Finnish television in the mid-1950s was heavily affected by the cold war politics. Both the Soviet Union and the United States were interested in the development of the Finnish television. Regular television transmissions were started by a commercial television station called TES-TV which was balancing between eastern and western interests. The Soviet attempts to interfere with the station were rejected, while the help from t…
Kaverukset: Constructing a Sense of Cultural Proximity in the Finnish Adaptation of Hancock's Half Hour
Television Format as Cultural Negotiation: Studying Format Appropriation through a Synthesizing Approach
Despite the growing number of publications on television formats, specific theorisations regarding formats and format adaptation, in particular, are still rare. In this article, I introduce a synthesizing approach for studying format appropriation. Drawing on format study, media industry research and structuration theory, I suggest that television formats should be understood and studied as a process of cultural negotiation in which global influe…
Television format as cultural technology transfer: Importing a production format for daily drama
Since the 1990s, TV formats have become an essential part of the global trade on television programmes. While many of the most popular television programmes today are format adaptations, theorisations on television formats have remained few. This article introduces production format as a specific type of television format. While television formats usually trade both programme content and a mode of production, production format solely contains inf…
From Public Service Broadcasting to Soci(et)al TV: Producers’ Perceptions of Interactivity and Audience Participation in Finland and Israel
In a changing media environment, television is being transformed by the adoption of practices such as audience participation and interactivity. This article analyses the ways in which managers and producers in Finnish and Israeli public service and hybrid television companies perceive participation and interactivity. We suggest that while these concepts can be described by hybrid broadcasters using the technologically- and commercially-oriented c…
Early Commercial Television in Finland: Balancing between East and West
The establishment of Finnish television in the mid-1950s was heavily affected by the cold war politics. Both the Soviet Union and the United States were interested in the development of the Finnish television. Regular television transmissions were started by a commercial television station called TES-TV which was balancing between eastern and western interests. The Soviet attempts to interfere with the station were rejected, while the help from t…
Kaverukset: Constructing a Sense of Cultural Proximity in the Finnish Adaptation of Hancock's Half Hour
The power of the format catalogue: How global institutional structures determine television production in a small national market
While the international flows of media content and the emergence of global media giants have gained extensive scholarly attention, their implications for national television production remain understudied. The article addresses the question of how the concentration of ownership and transnational flows involved in global media industries determine television production in a small national market. By analysing the structures, practices and agencies…
Kaverukset: Constructing a Sense of Cultural Proximity in the Finnish Adaptation of Hancock's Half Hour
Early Commercial Television in Finland: Balancing between East and West
The establishment of Finnish television in the mid-1950s was heavily affected by the cold war politics. Both the Soviet Union and the United States were interested in the development of the Finnish television. Regular television transmissions were started by a commercial television station called TES-TV which was balancing between eastern and western interests. The Soviet attempts to interfere with the station were rejected, while the help from t…
The Duality of Banal Transnationalism and Banal Nationalism: Television Audiences and the Musical Talent Competition Genre
Television Format as Cultural Negotiation: Studying Format Appropriation through a Synthesizing Approach
Despite the growing number of publications on television formats, specific theorisations regarding formats and format adaptation, in particular, are still rare. In this article, I introduce a synthesizing approach for studying format appropriation. Drawing on format study, media industry research and structuration theory, I suggest that television formats should be understood and studied as a process of cultural negotiation in which global influe…
Television format as cultural technology transfer: Importing a production format for daily drama
Since the 1990s, TV formats have become an essential part of the global trade on television programmes. While many of the most popular television programmes today are format adaptations, theorisations on television formats have remained few. This article introduces production format as a specific type of television format. While television formats usually trade both programme content and a mode of production, production format solely contains inf…
From Public Service Broadcasting to Soci(et)al TV: Producers’ Perceptions of Interactivity and Audience Participation in Finland and Israel
In a changing media environment, television is being transformed by the adoption of practices such as audience participation and interactivity. This article analyses the ways in which managers and producers in Finnish and Israeli public service and hybrid television companies perceive participation and interactivity. We suggest that while these concepts can be described by hybrid broadcasters using the technologically- and commercially-oriented c…
The power of the format catalogue: How global institutional structures determine television production in a small national market
While the international flows of media content and the emergence of global media giants have gained extensive scholarly attention, their implications for national television production remain understudied. The article addresses the question of how the concentration of ownership and transnational flows involved in global media industries determine television production in a small national market. By analysing the structures, practices and agencies…
Nordic noir taipuu erilaisiin tarpeisiin: Linda Badley, Andrew Nestingen ja Jaakko Seppälä (toim.) (2020) Nordic Noir, Adaptation, Appropriation
Mikä erottaa Netflixin lineaarisesta televisiosta
Arviossa: Lotz, Amanda D. 2022. Netflix and Streaming Video. The Business of Subscriber-Funded Video on Demand. Cambridge: Polity Press, 208 s
‘Being a drama producer is not in the least artistic work’ – Adopting streaming production culture at the Finnish public service broadcaster
Since the early 2010s, the emergence of global streaming platforms has introduced new strategies and practices in the production of drama series. The new paradigm, here titled as streaming production culture, has penetrated even the so-called legacy television companies, such as Nordic public service broadcasters. This article seeks to establish streaming production culture as an analytical concept that brings together two recent transformations …
Transnational Histories of Radio Genres: The Formation and Development of Serial Radio Fiction in Finland
While public service broadcasters are typically regarded as national institutions, their histories are profoundly transnational. Ideas, programmes, and models have crossed national borders since the earliest days of radio transmission. Yet the transnational histories of radio genres have remained largely unexplored. This article seeks to address that gap by analysing the formation and development of three serial fiction genres—family drama, crime…
Media Studies and Communication (5 works) · Political science (5 works) · Computer Science (4 works) · Sociology (4 works) · Advertising (3 works) · Business (3 works) · Cultural Industries and Urban Development (3 works) · Multimedia (3 works) · Psychology (3 works) · Adaptation (eye (2 works)