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Henri Meschonnic

Biographic Data

ID306951
NAMEHenri Meschonnic
GIVEN NAMESHenri
FAMILY NAMEMeschonnic
SIGNATUREMESCHONNIC H
AFFILIATIONSUniversité Paris Cité
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS6
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2019
H-INDEX1
  • The Henri Meschonnic Reader: A Poetics of Society

    Henri Meschonnic, Andrew Eastman et al.•BOOK•Henri Meschonnic Reader•2019

    Henri Meschonnic: linguist, poet, translator, philosopher Groups texts into 6 thematic parts; each part is foregrounded by an introduction to situate and contextualize it for the reader Includes an introduction to Henry Meschonnic by John Joseph Includes an introduction to Meschonnic's theory, concepts and poetics of society by Marko Pajevic Includes a glossary of terms, index of names and index of terminology to aid navigation and understanding …

  • The Henri Meschonnic Reader: A Poetics of Society

    Open Access•Henri Meschonnic, Marko Pajevic•BOOK•Henri Meschonnic Reader•2019

    Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence in various fields and its importance is growing. Here, for the first time, some of the key texts are made available in English for a new generation of scholars in the humanities. By intr…

  • Critique du rythme: Anthropologie historique du langage

    Henri Meschonnic•BOOK•Critique du rythme•2009

  • Saussure ou la poétique interrompue

    Henri Meschonnic•ARTICLE•Langages•2005•Cited by: 1

  • Traduire ce que les mots ne disent pas, mais ce qu'ils font

    Open Access•Henri Meschonnic•ARTICLE•Meta Journal des traducteurs•2002

    Continuing his reflection and work on rhythm, the author shows how a poetics of translation can overcome the limits of a theory of sign based on the meaning/form dichotomy. As an alternative to this approach, which situates the poem and the translation in a logic of discontinuity, the author proposes that language and translation he reconsidered from the viewpoint of the continuity of discourse and the unity of rhythm. Consequently, translation c…

  • L’épopée de l’amour

    Henri Meschonnic•ARTICLE•Études françaises•1999

    Au contraire de l'opposition classique entre le lyrisme et l'épopée (opposition portée à l'extrême par quelques poètes et critiques contemporains qui non seulement identifient le lyrisme à la poésie même, mais pensent que la poésie moderne est plus près de l'essence de la poésie que jamais), l'oeuvre poétique de Gaston Miron est épique en ce qu'elle est poésie de l'amour. Elle ne sépare en rien poésie engagée et poésie de l'intime. Elle illustre …

  • Le rythme dans la figure ou il faut soigner ce rhume

    Henri Meschonnic•ARTICLE•Littérature•1999•Cited by: 1

  • Seul comme Benveniste ou comment la critique manque de style

    Henri Meschonnic•ARTICLE•Langages•1995•Cited by: 1

    Henri Meschonnic : How criticism lacks style Benveniste is famous but misread. His style, his manner, the specific rhythm of his discourse are not perceived with all their critical dimension. For example, the philological point of view chosen by C. Dalimier to prove that « platonicien » definition of rhythm does exist before Plato, despite Benveniste, overlooks the essential of what he actually says. Stylistice has to be critical or not to be

  • Modernity Modernity

    Henri Meschonnic, Gabriella Bedetti et al.•ARTICLE•New Literary History•1992•Cited by: 1

  • Que les signes sont des actes, selon Kenneth Burke

    Henri Meschonnic•ARTICLE•Littérature•1991

    This study situates Burke for a French public in the American context of his work and of his readership. In his analysis, Burke' s « treating of art as an act » shows that his social thought grounds his theory of literature and language : rhetoric dominates aesthetics. Burke' s politics are an ethics and a poetics, as his early debunking of Mein Kampf or his relationship to marxism show. Anti-essentialist and pragmatist, Burke is a « major margin…

  • Interview: Henri Meschonnic

    Gabriella Bedetti, Henri Meschonnic•ARTICLE•diacritics•1988

  • Poetics and Politics: A round Table

    Henri Meschonnic, Alex Derczansky et al.•ARTICLE•New Literary History•1988

    Henri Meschonnic, Alex Derczansky, Olivier Mongin, Paul Thibaud, Gabriella Bedetti, Poetics and Politics: A round Table, New Literary History, Vol. 19, No. 3, History, Critics, and Criticism: Some Inquiries (Spring, 1988), pp. 453-466

  • Rhyme and Life

    Henri Meschonnic, Gabriella Bedetti•ARTICLE•Critical Inquiry•1988

  • Le poème, l'éthique et l'histoire

    Henri Meschonnic•ARTICLE•L Homme et la société•1984

  • [Discussion on Bahti]

    Paula Pavlovich, Manfred Frank et al.•ARTICLE•boundary 2•1983

  • [Discussion on Fries]

    James G Hughes, Jacques Derrida et al.•ARTICLE•boundary 2•1983

    James G. Hughes, Jacques Derrida, Thomas Fries, Jean Bollack, Michel Deguy, Martine Broda, Henri Meschonnic, , Wolfgagn Fietkau, Hans Hagen Hildebrandt, [Discussion on Fries], boundary 2, Vol. 11, No. 3, The Criticism of Peter Szondi (Spring, 1983), pp. 155-167

  • Séminaire de poétique

    Henri Meschonnic•ARTICLE•Littérature•1979

  • L'enjeu du langage dans la typographie

    Henri Meschonnic•ARTICLE•Littérature•1979

  • Théorie du langage, théorie politique, une seule stratégie

    Open Access•Henri Meschonnic•ARTICLE•Études littéraires•1976

    qui « ne sont pas sérieux », pas « l'emploi tout à fait normal » »

  • Entretien avec Henri Meschonnic

    Jean-Jacques Thomas, Henri Meschonnic•ARTICLE•SubStance•1976

  • Le travail du langage dans « Mémoire » de Rimbaud

    Henri Meschonnic•ARTICLE•Langages•1973

    Meschonnic Henri. Le travail du langage dans « Mémoire » de Rimbaud. In: Langages, 8e année, n°31, 1973. Sémiotiques textuelles. pp. 103-111

  • Poesie et langage

    Henri Meschonnic•ARTICLE•SubStance•1972

  • Poemes

    Henri Meschonnic•ARTICLE•SubStance•1972

  • Propositions pour une poétique de la traduction

    Henri Meschonnic•ARTICLE•Langages•1972•Cited by: 2

    Meschonnic Henri. Propositions pour une poétique de la traduction. In: Langages, 7e année, n°28, 1972. La traduction. pp. 49-54

  • Propositions pour une poétique de la traduction

    Henri Meschonnic•ARTICLE•Langages•1972•Cited by: 2

    Meschonnic Henri. Propositions pour une poétique de la traduction. In: Langages, 7e année, n°28, 1972. La traduction. pp. 49-54

  • Saussure ou la poétique interrompue

    Henri Meschonnic•ARTICLE•Langages•2005•Cited by: 1

  • Le rythme dans la figure ou il faut soigner ce rhume

    Henri Meschonnic•ARTICLE•Littérature•1999•Cited by: 1

  • Seul comme Benveniste ou comment la critique manque de style

    Henri Meschonnic•ARTICLE•Langages•1995•Cited by: 1

    Henri Meschonnic : How criticism lacks style Benveniste is famous but misread. His style, his manner, the specific rhythm of his discourse are not perceived with all their critical dimension. For example, the philological point of view chosen by C. Dalimier to prove that « platonicien » definition of rhythm does exist before Plato, despite Benveniste, overlooks the essential of what he actually says. Stylistice has to be critical or not to be

  • Modernity Modernity

    Henri Meschonnic, Gabriella Bedetti et al.•ARTICLE•New Literary History•1992•Cited by: 1

  • Poesie et langage

    Henri Meschonnic•ARTICLE•SubStance•1972

  • Poemes

    Henri Meschonnic•ARTICLE•SubStance•1972

  • Propositions pour une poétique de la traduction

    Henri Meschonnic•ARTICLE•Langages•1972•Cited by: 2

    Meschonnic Henri. Propositions pour une poétique de la traduction. In: Langages, 7e année, n°28, 1972. La traduction. pp. 49-54

  • Le travail du langage dans « Mémoire » de Rimbaud

    Henri Meschonnic•ARTICLE•Langages•1973

    Meschonnic Henri. Le travail du langage dans « Mémoire » de Rimbaud. In: Langages, 8e année, n°31, 1973. Sémiotiques textuelles. pp. 103-111

  • Théorie du langage, théorie politique, une seule stratégie

    Open Access•Henri Meschonnic•ARTICLE•Études littéraires•1976

    qui « ne sont pas sérieux », pas « l'emploi tout à fait normal » »

  • Entretien avec Henri Meschonnic

    Jean-Jacques Thomas, Henri Meschonnic•ARTICLE•SubStance•1976

  • Séminaire de poétique

    Henri Meschonnic•ARTICLE•Littérature•1979

  • L'enjeu du langage dans la typographie

    Henri Meschonnic•ARTICLE•Littérature•1979

  • [Discussion on Bahti]

    Paula Pavlovich, Manfred Frank et al.•ARTICLE•boundary 2•1983

  • [Discussion on Fries]

    James G Hughes, Jacques Derrida et al.•ARTICLE•boundary 2•1983

    James G. Hughes, Jacques Derrida, Thomas Fries, Jean Bollack, Michel Deguy, Martine Broda, Henri Meschonnic, , Wolfgagn Fietkau, Hans Hagen Hildebrandt, [Discussion on Fries], boundary 2, Vol. 11, No. 3, The Criticism of Peter Szondi (Spring, 1983), pp. 155-167

  • Le poème, l'éthique et l'histoire

    Henri Meschonnic•ARTICLE•L Homme et la société•1984

  • Interview: Henri Meschonnic

    Gabriella Bedetti, Henri Meschonnic•ARTICLE•diacritics•1988

  • Poetics and Politics: A round Table

    Henri Meschonnic, Alex Derczansky et al.•ARTICLE•New Literary History•1988

    Henri Meschonnic, Alex Derczansky, Olivier Mongin, Paul Thibaud, Gabriella Bedetti, Poetics and Politics: A round Table, New Literary History, Vol. 19, No. 3, History, Critics, and Criticism: Some Inquiries (Spring, 1988), pp. 453-466

  • Rhyme and Life

    Henri Meschonnic, Gabriella Bedetti•ARTICLE•Critical Inquiry•1988

  • Que les signes sont des actes, selon Kenneth Burke

    Henri Meschonnic•ARTICLE•Littérature•1991

    This study situates Burke for a French public in the American context of his work and of his readership. In his analysis, Burke' s « treating of art as an act » shows that his social thought grounds his theory of literature and language : rhetoric dominates aesthetics. Burke' s politics are an ethics and a poetics, as his early debunking of Mein Kampf or his relationship to marxism show. Anti-essentialist and pragmatist, Burke is a « major margin…

  • Modernity Modernity

    Henri Meschonnic, Gabriella Bedetti et al.•ARTICLE•New Literary History•1992•Cited by: 1

  • Seul comme Benveniste ou comment la critique manque de style

    Henri Meschonnic•ARTICLE•Langages•1995•Cited by: 1

    Henri Meschonnic : How criticism lacks style Benveniste is famous but misread. His style, his manner, the specific rhythm of his discourse are not perceived with all their critical dimension. For example, the philological point of view chosen by C. Dalimier to prove that « platonicien » definition of rhythm does exist before Plato, despite Benveniste, overlooks the essential of what he actually says. Stylistice has to be critical or not to be

  • L’épopée de l’amour

    Henri Meschonnic•ARTICLE•Études françaises•1999

    Au contraire de l'opposition classique entre le lyrisme et l'épopée (opposition portée à l'extrême par quelques poètes et critiques contemporains qui non seulement identifient le lyrisme à la poésie même, mais pensent que la poésie moderne est plus près de l'essence de la poésie que jamais), l'oeuvre poétique de Gaston Miron est épique en ce qu'elle est poésie de l'amour. Elle ne sépare en rien poésie engagée et poésie de l'intime. Elle illustre …

  • Le rythme dans la figure ou il faut soigner ce rhume

    Henri Meschonnic•ARTICLE•Littérature•1999•Cited by: 1

  • Traduire ce que les mots ne disent pas, mais ce qu'ils font

    Open Access•Henri Meschonnic•ARTICLE•Meta Journal des traducteurs•2002

    Continuing his reflection and work on rhythm, the author shows how a poetics of translation can overcome the limits of a theory of sign based on the meaning/form dichotomy. As an alternative to this approach, which situates the poem and the translation in a logic of discontinuity, the author proposes that language and translation he reconsidered from the viewpoint of the continuity of discourse and the unity of rhythm. Consequently, translation c…

  • Saussure ou la poétique interrompue

    Henri Meschonnic•ARTICLE•Langages•2005•Cited by: 1

  • Critique du rythme: Anthropologie historique du langage

    Henri Meschonnic•BOOK•Critique du rythme•2009

  • The Henri Meschonnic Reader: A Poetics of Society

    Henri Meschonnic, Andrew Eastman et al.•BOOK•Henri Meschonnic Reader•2019

    Henri Meschonnic: linguist, poet, translator, philosopher Groups texts into 6 thematic parts; each part is foregrounded by an introduction to situate and contextualize it for the reader Includes an introduction to Henry Meschonnic by John Joseph Includes an introduction to Meschonnic's theory, concepts and poetics of society by Marko Pajevic Includes a glossary of terms, index of names and index of terminology to aid navigation and understanding …

  • The Henri Meschonnic Reader: A Poetics of Society

    Open Access•Henri Meschonnic, Marko Pajevic•BOOK•Henri Meschonnic Reader•2019

    Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence in various fields and its importance is growing. Here, for the first time, some of the key texts are made available in English for a new generation of scholars in the humanities. By intr…

Art (17 works) · Philosophy (16 works) · Linguistics and Discourse Analysis (11 works) · Humanities (8 works) · Philosophy (8 works) · Literature (7 works) · Poetics (6 works) · Poetry (6 works) · Epistemology (5 works) · Computer Science (4 works)

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