Malcolm Gw Gillies

Biographic Data

ID3079521
NAMEMalcolm Gw Gillies
GIVEN NAMESMalcolm Gw
FAMILY NAMEGillies
SIGNATUREGILLIES M G
AFFILIATIONSAustralian National University
ORCID0000-0003-0892-6951
VERIFIEDYes
TOTAL WORKS19
TOTAL CITATIONS0
WORKS AS AUTHOR19
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2025
H-INDEX0

  • Revision as the Norm in Percy Grainger’s Works

    Open AccessMalcolm Gw GilliesARTICLEMusicology Australia2025References: 1

  • Grainger, (George) Percy

    Malcolm Gw Gillies, Malcolm Gillies et al.CHAPTERThe new Grove dictionary of music…2024

  • Nicolòe Palazzetti (2021). Béla Bartók in Italy

    Malcolm Gw Gillies, Malcolm GilliesARTICLEStudia musicologica2022

    There are two Bartóks," says Nicolò Palazzetti, in the Conclusion to this bold, revisionist book: the one who died in New York in 1945, and the "mythical Bartók," born from those exiled ashes.Palazzetti's book is ultimately about the moralisation and politicisation since 1945 of the second Bartók.But its basis lies in evidentiary revision, through its tracing of the first Bartók's many, largely overlooked dealings with Italy over some four decade…

  • Stuart Cunningham

    Open AccessMalcolm Gw GilliesARTICLEMedia International Australia2022

    This paper explores Stuart Cunningham's thought leadership in 'creative' spaces since the turn of the millennium. It presents the author's personal glimpses of Cunningham's contributions to scholarship and advocacy, ranging from Cunningham and Hartley's exposé on the recently-titled creative industries at the National Humanities and Social Sciences Summit (Canberra, 2001), through the establishment of QUT's Centre of Excellence (Brisbane, 2005) a…

  • The Aesthetic Life of Cyril Scott

    Malcolm Gw GilliesARTICLEMusicology Australia2016

  • Music Divided

    Malcolm Gw GilliesARTICLEMusicology Australia2008

    Music Divided is about the battle between aestheticist modernism and socialist realism in the post-war world. It was one of the very few periods in history when music played a substantial role in broader political battles—here between the ‘free world’ West and the Communist East. Rarely are the CIA and the heavier apparatus of political parties drawn into debates about sanctioned or proscribed works of art and the ‘correct’ course for composition…

  • Great Expectations

    Malcolm Gw Gillies, Malcolm Gillies et al.ARTICLEThe Musical Times2007

  • Grainger, (George) Percy

    Malcolm Gw Gillies, Malcolm Gillies et al.CHAPTERThe new Grove dictionary of music…2001

  • Bartók, Béla

    Malcolm Gw Gillies, Malcolm GilliesCHAPTERThe new Grove dictionary of music…2001

  • Launch of Naomi Cumming's The Sonic Self and the Naomi Helen Cumming Foundation

    Malcolm Gw GilliesARTICLEMusicology Australia2001

    The musical oeuvre of the Bohemian composer Jan Dismas Zelenka (1679-1745) has only recently begun to be appreciated by scholars and performers. Zelenka, who was active at the Saxon Court of Dresden from c. 1710 to 1745, contributed much to the musical repertoire of Dresden's Catholic Court Chapel. His sonatas for woodwinds and basso continuo form part of the standard small ensemble repertoire. Performers have, however, paid much less attention t…

  • Bartok

    Malcolm Gw Gillies, Malcolm Gillies et al.ARTICLEMusic Analysis1998

  • Bartók

    Malcolm Gw GilliesARTICLEMusicology Australia1997

    Benjamin Suchoff was for thirty years associated with the B41a Bart6k Archives (later, the New York Bart6k Archive). From 1968 until 1982 he was its head and also successor-trustee of the Bart6k estate. During those years he brought out a long series of primary-source publications, mainly Bartók's ethnomusicological writings and his essays. Since 1982 he has remained highly active as a Bartdk scholar and has in the last two years produced two boo…

  • Conversations with Witold Lutoslawski by Irina Nikolska

    Malcolm Gw GilliesARTICLEMusicology Australia1995

    Conversations with Witold Lutoslawski by Irina Nikolska." Musicology Australia, 18(1), pp. 70–71

  • The Uninvited Guest

    Anthony Pople, Malcolm Gw Gillies et al.ARTICLEThe Musical Times1994

  • The Workshop of Bartok and Kodaly

    Malcolm Gw Gillies, Malcolm Gillies et al.ARTICLEMusic Analysis1986

  • Grainger's London years

    Malcolm Gw GilliesARTICLEMusicology Australia1985

    I would have enjoyed playing the piano if I could have done it with even a reasonable amount of skill and accuracy. If I could have played with the facility of any of my advanced pupils ... I would have loved to play the Schumann Concerto, the G major Beethoven Concerto, the two Chopin Concertos, the Beethoven ‘Emperor’ Concerto [and] two of the Rachmaninoff Concertos ... In my early years as a grown-up pianist I used to get worn out during my pu…

  • Bartok Chamber Music

    Malcolm Gw Gillies, Malcolm Gillies et al.ARTICLEMusic Analysis1983

  • BartÓk’S last works

    Malcolm Gw GilliesARTICLEMusicology Australia1982

    Bartók’s ‘Harvard Lectures’, first published in 1976, provide the basis for a theory of the composer’s tonal and modal usage, which is particularly applicable to his final works. Supported by evidence from Bartók’s last folk music writings the theory defines four means of tonal or modal identification, all relying on the principle of notational consistency. Related questions of modulation and tonal hierarchy are also explored, thus making the the…

  • Bartón in Britain

    Malcolm Gw Gillies, Malcolm GilliesARTICLEMusic and Letters1982

    Journal Article BARTÓN IN BRITAIN: 1922 Get access MALCOLM GILLIES MALCOLM GILLIES Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 63, Issue 3-4, July 1982, Pages 213–225, https://doi.org/10.1093/ml/63.3-4.213 Published: 01 July 1982