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Grainger's London years

A performing history history

Bibliographic Data

ID12117607
AuthorsMalcolm Gw Gillies (0000-0003-0892-6951, corresponding author)
Year1985
Volume8
Issue1
Pages14-23
Publication date1985-01-01
Open AccessNo
TypeARTICLE
VenueMusicology Australia (JOURNAL)
Journal identifiersISSN: 0814-5857 • E-ISSN: 1949-453X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/08145857.1985.10415148
OpenAlexW1992951729
LanguageEN

I would have enjoyed playing the piano if I could have done it with even a reasonable amount of skill and accuracy. If I could have played with the facility of any of my advanced pupils ... I would have loved to play the Schumann Concerto, the G major Beethoven Concerto, the two Chopin Concertos, the Beethoven ‘Emperor’ Concerto [and] two of the Rachmaninoff Concertos ... In my early years as a grown-up pianist I used to get worn out during my public appearances and feared I could not keep going to the end. Especially when playing concertos with orchestra I felt feeble and inadequate ... I feel disgraced by my feebleness as a pianist (my poor fingerwork, my unreliable memory) and as a conductor (by that feeling of helplessness when I stand before a choir or orchestra)

Art · Art history · Cadenza · Choir · Concerto · Literature · Piano · Visual arts · Australian History and Society

Highly citedNo

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