Grainger's London years
A performing history history
Bibliographic Data
| ID | 12117607 |
|---|---|
| Authors | Malcolm Gw Gillies (0000-0003-0892-6951, corresponding author) |
| Year | 1985 |
| Volume | 8 |
| Issue | 1 |
| Pages | 14-23 |
| Publication date | 1985-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Musicology Australia (JOURNAL) |
| Journal identifiers | ISSN: 0814-5857 • E-ISSN: 1949-453X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08145857.1985.10415148 |
| OpenAlex | W1992951729 |
| Language | EN |
I would have enjoyed playing the piano if I could have done it with even a reasonable amount of skill and accuracy. If I could have played with the facility of any of my advanced pupils ... I would have loved to play the Schumann Concerto, the G major Beethoven Concerto, the two Chopin Concertos, the Beethoven ‘Emperor’ Concerto [and] two of the Rachmaninoff Concertos ... In my early years as a grown-up pianist I used to get worn out during my public appearances and feared I could not keep going to the end. Especially when playing concertos with orchestra I felt feeble and inadequate ... I feel disgraced by my feebleness as a pianist (my poor fingerwork, my unreliable memory) and as a conductor (by that feeling of helplessness when I stand before a choir or orchestra)
Art · Art history · Cadenza · Choir · Concerto · Literature · Piano · Visual arts · Australian History and Society
| Highly cited | No |
|---|